Long dream that started with me entering a building and going to the highest level, daylight. I am one of the first, some event or exam is scheduled, maybe I am not even invited, but since I'm early, I can enter. The room is to the left, which is the inside of the building. Tables arranged like in the transmission meditation room, there is Guds, boss of my boss, and I go sit next to him, he sits at the back end. I wonder if he is the one teaching or talking today. I have a book with me, which is a veggie cookbook, green of colour.
Slowly but surely, people enter, maybe Rigr, women more than men. I suppose also Digr must come, but I don't think I see him. I leave. When I'm outside the room I realize I forgot my stuff. Now I have the idea that I forgot it on purpose, to show I'm vegetarian or want other people to become that, but feel a little bit embarrassed about it nonetheless, so I go back in. When I reenter, Guds gives me everything, which includes the vegetables, broccoli among other things (which is what I bought yesterday with Chwe).
Out of the room is the corridor with windows to the outside, to the right that is, and people standing here, presumably waiting. I am a little conscious here, and later wander through the stairwell and rooms, go to a place that is even higher, but nothing or noone is there.
Later the dream shifts to the outside and we are in danger. So we are in a group, and on the wide plains we run. Something from above is cast down, by alien people. This must be an invasion. Large contraptions are dropped and they have to do with electricity, and they would imprison us. They have just started so we try to run and escape. But there is not much chance this time.
The things that fall down have to do with telecommunication. But they are really large.
Later we turn back but go farther than where we come from and now I see where they cramped all the cables, this is really gigantic.
We have to run.
Later I am in a town, large buildings, lots of people, guided or goaded like herds, by the enemy, they have surely taken over. I am in one of the buildings, on my own, conference hall, all the aliens gather here, they are humanoid. I try to stay outside, I have business here, and walk up and down the stairs and use the alleyways on the outside of the building that the others don't use. I literally stay in the shadows, outside the sun shines. Now I realize that things are really bad, and less and less space is available for the native people of this planet.
I leave the place, but outside, I am surrounded by all kinds of alien people, of different races, and some race has flat noses. They all look very different that us. I try to stay cool but I know I don't belong here and try to find my own people.
A little further starts the wood, I should hide there and find my way. I run through the trees. I know that in the meantime, native people are hunted and chased and closed in and less and less space is available, not even enough to live on. The aliens are closing in.
Then, when I am in the woods and find water, maybe a pond or lakes, I hear my own people from far ahead, they try one last attempt to break free, and it is an interesting one, for suddenly a very large herd of swine or boars stampedes through the forest and overruns the aliens, though they don't do much damage, but it is like a diversion. This makes it possible for me to escape and find my people.
But that is where everything ends. They are at the last patch of native ground, and helicopters of the aliens are hovering about, while metal fences close about the people and the place becomes smaller and smaller. Now I know there is no escape.
I suppose the dream ends there.
At some point in the night I dream of cleaning my kitchen floor. Maybe this is linked with the veggie cookbook.
Dream interpretation
This is a dream journal. The intention behind it is to also give interpretations on the recorded dreams. In my experience, much of the dream content is prophetic and can be linked to events following the night of dreaming.
Throughout the year 2013 I will keep to the discipline of recording my dreams every morning and interpreting them every evening. That way, people may start to get a feel of how dream symbolism works.
Throughout the year 2013 I will keep to the discipline of recording my dreams every morning and interpreting them every evening. That way, people may start to get a feel of how dream symbolism works.
Showing posts with label SF. Show all posts
Showing posts with label SF. Show all posts
Thursday, 30 October 2014
Monday, 20 January 2014
Big Planet Small People
1. Sandwich Bar
I am in the sandwich bar to get my lunch, 't Vluggertje. I just got here. The colours are of a good quality, deep colours, red and blue. E&D certainly behind the bar, maybe someone else, a young person. Customer behind me, some sit at tables. I talk with the people from the bar. I can' remember any details anymore.
2. Boat Trip
I can't remember where the dream started, but it is light and I leave to another planet. I can't remember if I leave from Earth or any other planet already. Chwe is with me. The planets are not real size. The size is measured by the surface you can see.
There is a scene in which Chwe hugs me, possibly when leaving. I had not seen it coming, and am surprised, so it takes a while but then I hug back. I think this was in my kitchen. Or it might have been outside.
We leave the first planet, presumably earth, we are in a happy mood. The next planet we pass is a small planet, definitely a globe shape, dark, but inhabited, maybe four people live here, and I can't remember if they were still there or were already dead a long time. Then it is a dead planet. The people are our height, but the planet is so small they seem big and they can only live there with so few. With four people the planet is occupied on all sides in fact.
We pass that one and come to the next which I suppose is the one where we want to get. And this is a nice planet and I have some knowledge of this planet before we land.
The first thing we notice is that the planet is bigger and the people are smaller. The people here are less than half a centimeter tall. They all wear or look orange. And they are a population on some kind of island. We land with our shuttle on the centre of the planet, there is a wide river crossing and across is a piece of green and the let's say gnomes are living there. They are very zealous in a way. By some accident a handful dies. Maybe me or Chwe caused this unwittingly. Not me I suppose because I knew they were here before I arrived. Then I notice the population goes back to its normal count rather quickly and I understand that because they are all so tiny, their life cycles are much quicker. There is one in specific who might be designated as king or leader. I know him in some kind of way.
While I'm busy there, Chwe finds a boat of wood on the river and is in it before I know it. I have not intention of going on a boat, but don't want Chwe to do more damage. On top of that I see the boat is built for people our size, and this must be some relic from an ancient race living here. The boat is still very solid. When I go in no one else is except Chwe. She is at a wall admiring the workmanship saying there is no trace of plastic anywhere and she is surprised and happy by that. But mentioning it makes me fear she wants plastic in it while when I understand this is solidly wood I want to keep it so. The wood is old, almost grey, a dark colour, spacious inside, like a room of wood on water. Single beams.
We decide to take a tour on the river. There were people outside on the far side of the river by the boat, possibly our height, but I can't remember what or who or why.
We go anti clockwise on the river. Soon enough it is clear that the river makes a circle, I think that is fine. There are mountains as well. The boat trip is nice, there is some wild water, mild, and we pick up some speed. I like it. I suppose we see everything from on top of the boat.
More than halfway we are about to get back to the point of start, but I see the river goes straight on while the circle would close if the river would bend to the left. There is a fork in the river. Unknown lands and waters are in front of us and I want to go to the left whatever the cost. I see pirates on a ship coming down from the mountain river that plunges in ours. While we too are going downstream, the whole time. We go with the flow. Only at this point things are a bit awkward. The boat naturally wants to go straight, but I fear that we will never get back in that case.
So in the fork I bend the ship to the left and it works. No harm done. There was a clear border anyway. Not that it would have stopped us, but it would have prevented us to go back. Also because of the current.
3.
Light, some complex of buildings and squares. Some game going on. Stairs, stone stairs like you would have in a city at a square. I'm in a team of six members of which I am one. They are currently in different places. Other teams are about and making better progress than us. I don't mind at all. I have a bag in my hand, like a bag with runes, but there are some kind of gaming pieces in it, like stones, cylindrical, and they are yellow but flecked with black, and that is why they remind me of leopards. Because I am the one holding this I am the leader. The other teams each have a sack like that. I know at least one other colour is black. I suppose blue and green are other colours.
We assemble on the stairs and then complete the final stage. I can't well remember what happened before. But from then on we go to the tower where we complete the mission, others have gone before us we know. We go in and go up the stairs (this seems linked with the dream of 't Vluggertje). Half of the group is up already. When I come to the upmost reach, there is a waiting room, you can see the stairs where we came from. Some sit on the stairs. Groups that have completed the mission are waiting here still, just hanging about, some of the members at least, most have gone. All is calm and peaceful and things are well directed and organized. There is a small room to the left, but you can see through the wall, though there is clearly a door. A young woman sits inside by the door and sometimes stands up, she is the one who admits people or asks them to wait. When we arrive, another group is still in the room, so we have some inkling of what will happen.
Some members of my group go in after that but I don't. I'm waiting for the others. My two brothers are in my team and also Mael. And the rest I can't remember.
I know what will happen when I enter. I have to restrain myself. At first when I almost entered I felt the bag start to glow and light in the room started to shine and even down the bottom of my spine things got warm and there was pressure as if something was activated. I know that if I enter the room I will unleash the full power of it, but I cannot do this, I find, before the others have arrived. Two are behind, they sit on different stages of the stairs, and are preparing themselves. Among other things they are consulting oracles, there are people around who do divination especially for this. I am patient and wait. There is a second time I almost go in and am on the threshold, but still I hold back. I want to wait.
The bag in my hands is also wrapped in paper that wraps the cloth in which the pieces are. Maybe butter paper or newspaper. And I move this in my hand so that I grab it in a good way so I am completely ready.
Then one comes up and enters and then the other, and the dream ends.
4. Lemon
I'm in the garage of parents, going in, I see there are lemons, my dad has bought them, the door is open and he is in the door, I don't say anything, why did I buy a lemon then?
5. Black Pen
In Leuven, from Herent, on foot, nighttime though time to get to work, but earlier, busy roads. Near the canal. I come to a point where I have to cross the road. When I cross I leave a certain world behind me and enter another that feels more home and familiar, Leuven. On the other side I meet Brva, which is a chance meeting, but I am happy, we kiss, she kisses me, and when I realize that I kiss back and a little more, this is nice. Then I want to continue. But we have to be cautious, because emergency services need to pass, firemen, police, etc.
There is a woman asking a pen. I have my black pen, this is still the same place. I have to other pens that I don't need, I want to give her one of these and she accepts, and when I look again I see she took my pen, nothing I can do about it.
I am in the sandwich bar to get my lunch, 't Vluggertje. I just got here. The colours are of a good quality, deep colours, red and blue. E&D certainly behind the bar, maybe someone else, a young person. Customer behind me, some sit at tables. I talk with the people from the bar. I can' remember any details anymore.
2. Boat Trip
I can't remember where the dream started, but it is light and I leave to another planet. I can't remember if I leave from Earth or any other planet already. Chwe is with me. The planets are not real size. The size is measured by the surface you can see.
There is a scene in which Chwe hugs me, possibly when leaving. I had not seen it coming, and am surprised, so it takes a while but then I hug back. I think this was in my kitchen. Or it might have been outside.
We leave the first planet, presumably earth, we are in a happy mood. The next planet we pass is a small planet, definitely a globe shape, dark, but inhabited, maybe four people live here, and I can't remember if they were still there or were already dead a long time. Then it is a dead planet. The people are our height, but the planet is so small they seem big and they can only live there with so few. With four people the planet is occupied on all sides in fact.
We pass that one and come to the next which I suppose is the one where we want to get. And this is a nice planet and I have some knowledge of this planet before we land.
The first thing we notice is that the planet is bigger and the people are smaller. The people here are less than half a centimeter tall. They all wear or look orange. And they are a population on some kind of island. We land with our shuttle on the centre of the planet, there is a wide river crossing and across is a piece of green and the let's say gnomes are living there. They are very zealous in a way. By some accident a handful dies. Maybe me or Chwe caused this unwittingly. Not me I suppose because I knew they were here before I arrived. Then I notice the population goes back to its normal count rather quickly and I understand that because they are all so tiny, their life cycles are much quicker. There is one in specific who might be designated as king or leader. I know him in some kind of way.
While I'm busy there, Chwe finds a boat of wood on the river and is in it before I know it. I have not intention of going on a boat, but don't want Chwe to do more damage. On top of that I see the boat is built for people our size, and this must be some relic from an ancient race living here. The boat is still very solid. When I go in no one else is except Chwe. She is at a wall admiring the workmanship saying there is no trace of plastic anywhere and she is surprised and happy by that. But mentioning it makes me fear she wants plastic in it while when I understand this is solidly wood I want to keep it so. The wood is old, almost grey, a dark colour, spacious inside, like a room of wood on water. Single beams.
We decide to take a tour on the river. There were people outside on the far side of the river by the boat, possibly our height, but I can't remember what or who or why.
We go anti clockwise on the river. Soon enough it is clear that the river makes a circle, I think that is fine. There are mountains as well. The boat trip is nice, there is some wild water, mild, and we pick up some speed. I like it. I suppose we see everything from on top of the boat.
More than halfway we are about to get back to the point of start, but I see the river goes straight on while the circle would close if the river would bend to the left. There is a fork in the river. Unknown lands and waters are in front of us and I want to go to the left whatever the cost. I see pirates on a ship coming down from the mountain river that plunges in ours. While we too are going downstream, the whole time. We go with the flow. Only at this point things are a bit awkward. The boat naturally wants to go straight, but I fear that we will never get back in that case.
So in the fork I bend the ship to the left and it works. No harm done. There was a clear border anyway. Not that it would have stopped us, but it would have prevented us to go back. Also because of the current.
3.
Light, some complex of buildings and squares. Some game going on. Stairs, stone stairs like you would have in a city at a square. I'm in a team of six members of which I am one. They are currently in different places. Other teams are about and making better progress than us. I don't mind at all. I have a bag in my hand, like a bag with runes, but there are some kind of gaming pieces in it, like stones, cylindrical, and they are yellow but flecked with black, and that is why they remind me of leopards. Because I am the one holding this I am the leader. The other teams each have a sack like that. I know at least one other colour is black. I suppose blue and green are other colours.
We assemble on the stairs and then complete the final stage. I can't well remember what happened before. But from then on we go to the tower where we complete the mission, others have gone before us we know. We go in and go up the stairs (this seems linked with the dream of 't Vluggertje). Half of the group is up already. When I come to the upmost reach, there is a waiting room, you can see the stairs where we came from. Some sit on the stairs. Groups that have completed the mission are waiting here still, just hanging about, some of the members at least, most have gone. All is calm and peaceful and things are well directed and organized. There is a small room to the left, but you can see through the wall, though there is clearly a door. A young woman sits inside by the door and sometimes stands up, she is the one who admits people or asks them to wait. When we arrive, another group is still in the room, so we have some inkling of what will happen.
Some members of my group go in after that but I don't. I'm waiting for the others. My two brothers are in my team and also Mael. And the rest I can't remember.
I know what will happen when I enter. I have to restrain myself. At first when I almost entered I felt the bag start to glow and light in the room started to shine and even down the bottom of my spine things got warm and there was pressure as if something was activated. I know that if I enter the room I will unleash the full power of it, but I cannot do this, I find, before the others have arrived. Two are behind, they sit on different stages of the stairs, and are preparing themselves. Among other things they are consulting oracles, there are people around who do divination especially for this. I am patient and wait. There is a second time I almost go in and am on the threshold, but still I hold back. I want to wait.
The bag in my hands is also wrapped in paper that wraps the cloth in which the pieces are. Maybe butter paper or newspaper. And I move this in my hand so that I grab it in a good way so I am completely ready.
Then one comes up and enters and then the other, and the dream ends.
4. Lemon
I'm in the garage of parents, going in, I see there are lemons, my dad has bought them, the door is open and he is in the door, I don't say anything, why did I buy a lemon then?
5. Black Pen
In Leuven, from Herent, on foot, nighttime though time to get to work, but earlier, busy roads. Near the canal. I come to a point where I have to cross the road. When I cross I leave a certain world behind me and enter another that feels more home and familiar, Leuven. On the other side I meet Brva, which is a chance meeting, but I am happy, we kiss, she kisses me, and when I realize that I kiss back and a little more, this is nice. Then I want to continue. But we have to be cautious, because emergency services need to pass, firemen, police, etc.
There is a woman asking a pen. I have my black pen, this is still the same place. I have to other pens that I don't need, I want to give her one of these and she accepts, and when I look again I see she took my pen, nothing I can do about it.
Saturday, 11 January 2014
Menstruating
1. Hijacking the Space Ship
Some place I can't remember, buildings, out of the way, we are a group of people. Don't remember the start and the middle of the dream.
Toward the end, we decide to hijack a spaceship, a small one, and do what we think is best, even if it is against authority's decision, so we must take care that they don't see us.
We run toward the more open and lighted place, outside, pavement, and around the corner where the shuttle is. Two of us go in, it is a really small one, just place for two. Mavh and Pheg go in and sit tight opposite each other. They seem to know each other well. There is a yellow button behind and above Mavh. We push this one, even if we know it means the death of them two, but it is the only way to solve this problem we are facing, maybe something like the end of the world. We're not seen when they launch. Then I see in the cockpit, though I'm not in there. They talk to each other, all the time, but they can't hear each other because there is no medium or ether, they're in space, though not that high up in space either. And at some point I can make out words from the lipping of Pheg, the words 'no problem' are in it. They seem to like each other.
Then they get caught. Don't know what happens then.
It turns out the yellow button is an illusion, we are caught, I feel it though it is both of them who are kicked out by the commanding officer, on that same pavement, which is in front of the barracks. His team is there too. He kicks Mavh and Pheg into the mud. They are naked I think.
2. Menstruation Blood of Pregnance
The scene changes. Still the same dream.
Light, I arrive somewhere, happy to be there and rather on a whim, but others seem to be present, all people that I know. First I meet two people on the way, and they were going the same way but I overtake them. I can't remember who. Then on the doorstep where a street crosses and I want to go left, there is Grdr and Clsm, who are chatting in the door, for it is one of either's house.
I have a paper bag with baguettes in it, three or four, don't know why I'm carrying it, and feels a bit awkward, but then the other two from earlier come too and have the same as if all this is planned. And I say hello to Grdr and Clsm, but I don't want to be too familiar either, so I don't know what expression to wear on my face. Recognition or not.
Then I continue my walk, and turn to the right. Here I meet Joja and his friend Kadv. And we are going the same way. This looks like a coincidence, but they seem to know what I am up to.
We discuss something, I can't remember what.
Then we come in a back alley, but there is light, though a dead end, and people sit on the street floor, among which a lady, and they have wares to show. And we go there and I stop by the lady, and the three of us kneel, and to the right is something which is called 'klima', it draws my attention, though it is exceptional in her stall. And I immediately understand this object is about 'glima' the wrestling of viking age times. And I say as much. And Joja takes a moment to consider. But the lady, our age, says we can still enroll and should do.
That is when I see in this place many people stand up and making ready to fight, all of the men, young and tall. Before I know it I am among them. Earlier I said something about recalling the same in a film about Wolverine.
Now I am fighting one, then the other. And the last one takes the most time and I can't knock it down, nose to nose, so close are we, he is blond, short hair, almost red. We fight, but neither of us can win. I am a bit frustrated by it.
3. Airplane Crash
Still the same dream.
I don't know where I come from but I leave the group which hides in safety and I venture into more public places and this involves returning home, and I have to make sure no one sees me. I'm sure my mother is there, but she does not see me. I go into my apartment, there is a balcony and a small room adjacent to it. I go there to be alone. I have cloths and rags and towels with me, some a bit grey or dirty. But I press them to my behind and there is blood there. And this is why I am here, am the only one that could do this. This is menstruation blood, and it means I am pregnant.
The next moment I realize it is not me, I knew all along, but the negro woman that was in the group who was too afraid to come up here to show herself and speak up and tell she is pregnant. So the blood is all hers, though I am the one bleeding.
Can't remember all of it.
Then I see the night sky and I go out, and when I do it changes into the back of the house of parents. And I see an airplane, quite big, or rather it is low, too low in fact, and goes behind me, to the east, and I follow it with my eyes, curious as to where it goes. Then it suddenly dives down and I think this can't be right. It goes behind the houses so I don't see it. I don't follow it immediately, but then I think I should check and indeed when I go to the front of the house I see on the horizon the skyline of Leuven and the centre of it collapsing. Fire. Again and again I see the church tower collapse. And then two more planes crash and things feel rather apocalyptic and I don't know what to think, thinking this is important and will have serious and lasting consequences, but yet it seems disconnected of me.
Some place I can't remember, buildings, out of the way, we are a group of people. Don't remember the start and the middle of the dream.
Toward the end, we decide to hijack a spaceship, a small one, and do what we think is best, even if it is against authority's decision, so we must take care that they don't see us.
We run toward the more open and lighted place, outside, pavement, and around the corner where the shuttle is. Two of us go in, it is a really small one, just place for two. Mavh and Pheg go in and sit tight opposite each other. They seem to know each other well. There is a yellow button behind and above Mavh. We push this one, even if we know it means the death of them two, but it is the only way to solve this problem we are facing, maybe something like the end of the world. We're not seen when they launch. Then I see in the cockpit, though I'm not in there. They talk to each other, all the time, but they can't hear each other because there is no medium or ether, they're in space, though not that high up in space either. And at some point I can make out words from the lipping of Pheg, the words 'no problem' are in it. They seem to like each other.
Then they get caught. Don't know what happens then.
It turns out the yellow button is an illusion, we are caught, I feel it though it is both of them who are kicked out by the commanding officer, on that same pavement, which is in front of the barracks. His team is there too. He kicks Mavh and Pheg into the mud. They are naked I think.
2. Menstruation Blood of Pregnance
The scene changes. Still the same dream.
Light, I arrive somewhere, happy to be there and rather on a whim, but others seem to be present, all people that I know. First I meet two people on the way, and they were going the same way but I overtake them. I can't remember who. Then on the doorstep where a street crosses and I want to go left, there is Grdr and Clsm, who are chatting in the door, for it is one of either's house.
I have a paper bag with baguettes in it, three or four, don't know why I'm carrying it, and feels a bit awkward, but then the other two from earlier come too and have the same as if all this is planned. And I say hello to Grdr and Clsm, but I don't want to be too familiar either, so I don't know what expression to wear on my face. Recognition or not.
Then I continue my walk, and turn to the right. Here I meet Joja and his friend Kadv. And we are going the same way. This looks like a coincidence, but they seem to know what I am up to.
We discuss something, I can't remember what.
Then we come in a back alley, but there is light, though a dead end, and people sit on the street floor, among which a lady, and they have wares to show. And we go there and I stop by the lady, and the three of us kneel, and to the right is something which is called 'klima', it draws my attention, though it is exceptional in her stall. And I immediately understand this object is about 'glima' the wrestling of viking age times. And I say as much. And Joja takes a moment to consider. But the lady, our age, says we can still enroll and should do.
That is when I see in this place many people stand up and making ready to fight, all of the men, young and tall. Before I know it I am among them. Earlier I said something about recalling the same in a film about Wolverine.
Now I am fighting one, then the other. And the last one takes the most time and I can't knock it down, nose to nose, so close are we, he is blond, short hair, almost red. We fight, but neither of us can win. I am a bit frustrated by it.
3. Airplane Crash
Still the same dream.
I don't know where I come from but I leave the group which hides in safety and I venture into more public places and this involves returning home, and I have to make sure no one sees me. I'm sure my mother is there, but she does not see me. I go into my apartment, there is a balcony and a small room adjacent to it. I go there to be alone. I have cloths and rags and towels with me, some a bit grey or dirty. But I press them to my behind and there is blood there. And this is why I am here, am the only one that could do this. This is menstruation blood, and it means I am pregnant.
The next moment I realize it is not me, I knew all along, but the negro woman that was in the group who was too afraid to come up here to show herself and speak up and tell she is pregnant. So the blood is all hers, though I am the one bleeding.
Can't remember all of it.
Then I see the night sky and I go out, and when I do it changes into the back of the house of parents. And I see an airplane, quite big, or rather it is low, too low in fact, and goes behind me, to the east, and I follow it with my eyes, curious as to where it goes. Then it suddenly dives down and I think this can't be right. It goes behind the houses so I don't see it. I don't follow it immediately, but then I think I should check and indeed when I go to the front of the house I see on the horizon the skyline of Leuven and the centre of it collapsing. Fire. Again and again I see the church tower collapse. And then two more planes crash and things feel rather apocalyptic and I don't know what to think, thinking this is important and will have serious and lasting consequences, but yet it seems disconnected of me.
Sunday, 22 December 2013
Key and Pole
1. Police and the Wooden Sticks
In the shop, though does not look at all like in reality, but with terraced floors, square, big sections, very open architecture, almost temple like. It is time to close up.
Digr is there, Liha is there, Keva is there, maybe Brva but I'm not sure. I want to go to the bathroom, and I go, this is a way up toward a wall, which is the right end of the building. This section in itself is made of doors, which means that there is always space in between where people can peek, and there are a handful of people there, among which a middle aged man with a tummy. This person seems to oversee things, he does not move place and watches here and there, I find it annoying that he is there, because when I go to the toilet I am right in his line of sight. Does he need to go to the bathroom too?
The door does not close off well behind me, and I find it annoying, but I can't let it frustrate me because there are space between the doors anyway, not the most comfortable position. To the right of this section is the outside street, if I read my notes correctly, people outside can see me too.
Although my colleagues are in the process of closing the shop, I can go home, I have leave (Feierabend). But somehow I keep lingering on doing nothing neither leaving. Now other people come to the toilet as well.
There is a fragment about my English book, and the other book is there too. This is still inside.
I'm going now. Two people are with me, one of them has my book but still has not read it. Something about a game. I throw the book behind me over my shoulder, but I can't remember why.
Also something about a document I have to complete, orange looking, many copies, I only need one, or focus on one first. Empty, and has boxes to write in.
Inside again, different location. There is a robot like machine that has the contours of a dog and eats everything that is in its way. I assume this thing used to have a purpose, but it has that no longer, maybe because it is too old, or either because it is no longer needed or replaced by something else.
Then we are on the lawn, this is the Belsenakestraat, but seen from the fields, all is open and light and spacious and serene. The three of us are on the grass of the front garden. I arrived last and joined the others, I suppose the others are my brothers, and maybe their partners.
I have a stick, quite a sturdy one, not completely straight, maybe the length to just under my armpit, and it is a stick without bark. Willowish colour. I hold it by the upper natural knob and walk a bit bent with it and from time to time hit the ground with it, quite hard, I don't give this second thoughts as if I seem to know what I'm doing, but in fact I don't. Also, at that point I am the only one with the wood and that makes me important. What I do is part of owning such a stick.
Then the police arrives, more than one cop, maybe three. Maybe green instead of blue uniforms. Helmets maybe. This is a rather lucid moment. They stop Bale who is there, and I think they are wrong in doing that, so I go toward them. I can't remember what Bale was about to do, but it was harmless. When I go forward things change a little and the police gives a key (to whom?) and this is for safety, for the front door. At this point everyone on the lawn, my brothers and friends, only a handful of people, are carrying the same kind of stick although each is different. Everyone also gets a stick. I already have one, this means I am not unusual anymore.
Later in the same dream there is an evacuation to another planet and we have news about Jupiter, and I am most interested about that, because I have direct dealings with this, so I keep asking questions about it, but the planet is depicted as a large red asteroid, almost like a cube, but gigantic, in any way telluric.
There is a last fragment. There is a meeting, on an upper floor, small meeting room, white, windows to one side, I come in from the other side. People already are present. Gert Verhulst is also there, and his son, who is black. Maybe 2021.
In the shop, though does not look at all like in reality, but with terraced floors, square, big sections, very open architecture, almost temple like. It is time to close up.
Digr is there, Liha is there, Keva is there, maybe Brva but I'm not sure. I want to go to the bathroom, and I go, this is a way up toward a wall, which is the right end of the building. This section in itself is made of doors, which means that there is always space in between where people can peek, and there are a handful of people there, among which a middle aged man with a tummy. This person seems to oversee things, he does not move place and watches here and there, I find it annoying that he is there, because when I go to the toilet I am right in his line of sight. Does he need to go to the bathroom too?
The door does not close off well behind me, and I find it annoying, but I can't let it frustrate me because there are space between the doors anyway, not the most comfortable position. To the right of this section is the outside street, if I read my notes correctly, people outside can see me too.
Although my colleagues are in the process of closing the shop, I can go home, I have leave (Feierabend). But somehow I keep lingering on doing nothing neither leaving. Now other people come to the toilet as well.
There is a fragment about my English book, and the other book is there too. This is still inside.
I'm going now. Two people are with me, one of them has my book but still has not read it. Something about a game. I throw the book behind me over my shoulder, but I can't remember why.
Also something about a document I have to complete, orange looking, many copies, I only need one, or focus on one first. Empty, and has boxes to write in.
Inside again, different location. There is a robot like machine that has the contours of a dog and eats everything that is in its way. I assume this thing used to have a purpose, but it has that no longer, maybe because it is too old, or either because it is no longer needed or replaced by something else.
Then we are on the lawn, this is the Belsenakestraat, but seen from the fields, all is open and light and spacious and serene. The three of us are on the grass of the front garden. I arrived last and joined the others, I suppose the others are my brothers, and maybe their partners.
I have a stick, quite a sturdy one, not completely straight, maybe the length to just under my armpit, and it is a stick without bark. Willowish colour. I hold it by the upper natural knob and walk a bit bent with it and from time to time hit the ground with it, quite hard, I don't give this second thoughts as if I seem to know what I'm doing, but in fact I don't. Also, at that point I am the only one with the wood and that makes me important. What I do is part of owning such a stick.
Then the police arrives, more than one cop, maybe three. Maybe green instead of blue uniforms. Helmets maybe. This is a rather lucid moment. They stop Bale who is there, and I think they are wrong in doing that, so I go toward them. I can't remember what Bale was about to do, but it was harmless. When I go forward things change a little and the police gives a key (to whom?) and this is for safety, for the front door. At this point everyone on the lawn, my brothers and friends, only a handful of people, are carrying the same kind of stick although each is different. Everyone also gets a stick. I already have one, this means I am not unusual anymore.
Later in the same dream there is an evacuation to another planet and we have news about Jupiter, and I am most interested about that, because I have direct dealings with this, so I keep asking questions about it, but the planet is depicted as a large red asteroid, almost like a cube, but gigantic, in any way telluric.
There is a last fragment. There is a meeting, on an upper floor, small meeting room, white, windows to one side, I come in from the other side. People already are present. Gert Verhulst is also there, and his son, who is black. Maybe 2021.
Tuesday, 17 December 2013
Ninja Needles
1. Shrunk Socks
At home of parents. Parents and brothers are there.
At night when everyone has gone to bed, I am still there, and my dad is still up and moving about. I have done my laundry, especially socks, and I want to pack these now. I am not supposed to stay here long, just passing through, I won't allow myself to stay here long, and I feel a bit separated from the rest of the family. Dark socks, brown I think, they are not the right size. Some are really mini, not a thumb big, as if they have shrunken and are still shrinking too. My dad helps me with things. This happened toward the end of the dream.
I am actually preparing to get to a weekend, making ready to leave. This will be with Elbe and Bale, but they should have been here since a long time, and they are still not here.
N and D are also waiting. All of them are still on their way. We will leave by car, the car comes, this is still later in the night. I think the car comes to pick me up. It drives up the way alongside the house to the back where the garage is. It is not who I expected. Guds gets out, who is my boss's boss, and someone else and his daughter.
Later, our mom wants to go to bed. I am waiting by the phone, I have made a phone call myself.
Earlier I was on my room. There were comic books where my books used to be, old ones that I had forgotten about or never even read.
More things happened that I can't remember now.
2. Ninja Needles
There is a very big space ship, rather like a cube but rectangular. It is about to leave, I am on it anyway. All the people are already on it. I am guiding someone, and we don't want contact with anyone else. But at some point we see a person who needs help and is being guided. Maybe something something.
We go up with the lift. Everyone goes each his way, but something is wrong, I can feel it (can't remember now). I do something something maybe go back and see that they have closed the room, possibly my bed room. People are smoking, I am bothered by that. And they keep animals hostage, which is not good.
There might be some kind of alarm, like of an alarm clock to get up, but I'm not sure. Anyway the ship is leaving, but you don't even have the impression you're moving.
We go look anyway and everyone is threatening the situation or me with taking off their pants, I don't understand it, they threaten with shooting sperm, I see there dicks when they take there pants off. Some are children, they all do it mindlessly. There is even a small boy. But first we even go into a fist fight (I'm not sure if I'm involved in this).
Everyone is something something, and we find a man on the toilet in the corner, which is not a separate room.
Then there are big spacious rooms, inside, and I have to go back somewhere, we are roaming about and hoping not to get caught by the bad guys. Maybe first I am alone, but after a while we are a group. They might be aspects of me, traveling with me. When we meet the enemy by the start of another room, though these rooms are so spacious and the accesses so wide you can't really see it but only know it, then we are attacked, but we attack back and with the same weapons. All of us use needles to throw, they are big and lethal, and white. And there is much light. Sometimes we hide and then quickly we come out of hiding and throw our needles, a few in a row each time, like real ninja doing shuriken.
First there is a Japanese girl, she shoots at us, this when we try to escape with needles.
I am reasoning we will have to escape over land, because it will not be able to cross to where we are inside the ship, because the ship is full of enemies. Now I also realize we are on another planet.
Then something about a long bench, like a Swedish one, but upside down, so it is small to sit upon, and we do some massage, can't remember the details, but it does not work.
There are young girls. I throw needles and kill them, more and more come, and I know the situation is hopeless, because if we continue and that is all we can do we will only meet more of them. But we continue. In the next big room I decide I can better use a sword, short sword, but the situation is hopeless anyway. When I slash the enemy with my sword, because thinking it created the sword, they all seem to be of straw, also men, though earlier it was usually women, young ones. The dream ends there. The others are still behind me.
3. Drinking Duvel
Living room of parents, parents are there, I am in the sofa, mom and dad where they usually sit, I am first, they come after. I drink a Duvel, which I normally don't, and it is my mother's drink. When my mother sits down and starts to drink her drinks, among which Duvel, I am a bit uncomfortable and am not sure whether I want to drink this at all, but for some reason I chose this one for me.
4. Hammer HAR
A walk with my parents and brothers. Suddenly we are inside, this is some kind of gallery, first outside there was a pathway, a boy, and there were possibly animals to be sighted on the path which was of gravel, grey, and wide, grass to the left and right, and I know there can be snakes and these might be dangerous and so I keep a check on the young boy. There are also puddles because it has rained the day before or earlier in the day, and there is one big one when I think about it, and I doubt it is very real.
Later we come to an area where I know where I am and the feel is that of London, and the others follow me, and this is the gallery, all brick and stone, and can't decide whether it is outside or inside, and it is a long way from where people usually come, and I know this place and yet I don't. There are tombs on the walls, so in a vertical position, this to one side, on the other side are more like portraits, they seem to be from anything from 500 to 100 years ago. This is a remnant of a Freemason's lodge. The hallway continues, we go forth. This is an impressive place, grand, and meaningful, yet deserted, not used in many years.
Frustratingly, the others see things like inscriptions or plaques with text and explanations, but I don't see this, though I have the information when they speak about it out loud.
At the end of this is a more open place, but the hallway continues and after that is a closed room. At the wall outside the room are all kinds of skulls and skins of faces, and when I am there and look at these it is as if I know why they have a funny shape. Also, they are small heads. And the others arrive and I tell them how the shape of the skin would have fitted a skull, this is my own insight in the dream, but I see one of the faces nod. And then I become aware of them listening to me, and they can even talk if I would be listening. So we communicate. There is one particular face I talk with, he is the most awake, maybe used to be a scribe. He is only a skin, but has eyes too. Most of them are male.
There is one among them, they hang on the wall on eye height and lower like shields or weapons, one among them is a bit higher and is no face or human skull at all, but rather a blunt weapon which reminds me of a Thor's hammer. It looks new, polished, shines.
After a while I can no longer ignore this hammer shaped entity and I take hold of it, because since it is a weapon it has a handle, it is like a steel bar across the thing, and then it becomes another dead body and it talks too, and I ask his name, and I look in particular into his eyes. I saw his eyes quite early, but now I take the effort to look right into them because I know he would like that and it is the most sure way to communicate. This is a very lucid moment. His eyes are very big and very alive, and he looks directly at me.
When I ask his name he says: Har. I immediately accept it as true, then, by force of the earlier skin, he also says his surname, which I have forgotten, and it was not important, because it did not sound very true. Then I ask him for what kind of things I can summon him, because I obviously think I have now a contract with a spirit. But he does not know, which means that he does not know why it is that we now have contact, although we both acknowledge there must be a reason for it.
I don't know what to say, then he seems to have a thought of understanding and asks me if I want to become a missionary, and he thinks that must be it, and this must be something he is familiar with as a spirit if someone awakens him. And I don't know, and I think I should ask important questions, but there is none that comes to mind. He keeps asking (I can't read the rest of my notes), but he is serious about it. End of dream.
At home of parents. Parents and brothers are there.
At night when everyone has gone to bed, I am still there, and my dad is still up and moving about. I have done my laundry, especially socks, and I want to pack these now. I am not supposed to stay here long, just passing through, I won't allow myself to stay here long, and I feel a bit separated from the rest of the family. Dark socks, brown I think, they are not the right size. Some are really mini, not a thumb big, as if they have shrunken and are still shrinking too. My dad helps me with things. This happened toward the end of the dream.
I am actually preparing to get to a weekend, making ready to leave. This will be with Elbe and Bale, but they should have been here since a long time, and they are still not here.
N and D are also waiting. All of them are still on their way. We will leave by car, the car comes, this is still later in the night. I think the car comes to pick me up. It drives up the way alongside the house to the back where the garage is. It is not who I expected. Guds gets out, who is my boss's boss, and someone else and his daughter.
Later, our mom wants to go to bed. I am waiting by the phone, I have made a phone call myself.
Earlier I was on my room. There were comic books where my books used to be, old ones that I had forgotten about or never even read.
More things happened that I can't remember now.
2. Ninja Needles
There is a very big space ship, rather like a cube but rectangular. It is about to leave, I am on it anyway. All the people are already on it. I am guiding someone, and we don't want contact with anyone else. But at some point we see a person who needs help and is being guided. Maybe something something.
We go up with the lift. Everyone goes each his way, but something is wrong, I can feel it (can't remember now). I do something something maybe go back and see that they have closed the room, possibly my bed room. People are smoking, I am bothered by that. And they keep animals hostage, which is not good.
There might be some kind of alarm, like of an alarm clock to get up, but I'm not sure. Anyway the ship is leaving, but you don't even have the impression you're moving.
We go look anyway and everyone is threatening the situation or me with taking off their pants, I don't understand it, they threaten with shooting sperm, I see there dicks when they take there pants off. Some are children, they all do it mindlessly. There is even a small boy. But first we even go into a fist fight (I'm not sure if I'm involved in this).
Everyone is something something, and we find a man on the toilet in the corner, which is not a separate room.
Then there are big spacious rooms, inside, and I have to go back somewhere, we are roaming about and hoping not to get caught by the bad guys. Maybe first I am alone, but after a while we are a group. They might be aspects of me, traveling with me. When we meet the enemy by the start of another room, though these rooms are so spacious and the accesses so wide you can't really see it but only know it, then we are attacked, but we attack back and with the same weapons. All of us use needles to throw, they are big and lethal, and white. And there is much light. Sometimes we hide and then quickly we come out of hiding and throw our needles, a few in a row each time, like real ninja doing shuriken.
First there is a Japanese girl, she shoots at us, this when we try to escape with needles.
I am reasoning we will have to escape over land, because it will not be able to cross to where we are inside the ship, because the ship is full of enemies. Now I also realize we are on another planet.
Then something about a long bench, like a Swedish one, but upside down, so it is small to sit upon, and we do some massage, can't remember the details, but it does not work.
There are young girls. I throw needles and kill them, more and more come, and I know the situation is hopeless, because if we continue and that is all we can do we will only meet more of them. But we continue. In the next big room I decide I can better use a sword, short sword, but the situation is hopeless anyway. When I slash the enemy with my sword, because thinking it created the sword, they all seem to be of straw, also men, though earlier it was usually women, young ones. The dream ends there. The others are still behind me.
3. Drinking Duvel
Living room of parents, parents are there, I am in the sofa, mom and dad where they usually sit, I am first, they come after. I drink a Duvel, which I normally don't, and it is my mother's drink. When my mother sits down and starts to drink her drinks, among which Duvel, I am a bit uncomfortable and am not sure whether I want to drink this at all, but for some reason I chose this one for me.
4. Hammer HAR
A walk with my parents and brothers. Suddenly we are inside, this is some kind of gallery, first outside there was a pathway, a boy, and there were possibly animals to be sighted on the path which was of gravel, grey, and wide, grass to the left and right, and I know there can be snakes and these might be dangerous and so I keep a check on the young boy. There are also puddles because it has rained the day before or earlier in the day, and there is one big one when I think about it, and I doubt it is very real.
Later we come to an area where I know where I am and the feel is that of London, and the others follow me, and this is the gallery, all brick and stone, and can't decide whether it is outside or inside, and it is a long way from where people usually come, and I know this place and yet I don't. There are tombs on the walls, so in a vertical position, this to one side, on the other side are more like portraits, they seem to be from anything from 500 to 100 years ago. This is a remnant of a Freemason's lodge. The hallway continues, we go forth. This is an impressive place, grand, and meaningful, yet deserted, not used in many years.
Frustratingly, the others see things like inscriptions or plaques with text and explanations, but I don't see this, though I have the information when they speak about it out loud.
At the end of this is a more open place, but the hallway continues and after that is a closed room. At the wall outside the room are all kinds of skulls and skins of faces, and when I am there and look at these it is as if I know why they have a funny shape. Also, they are small heads. And the others arrive and I tell them how the shape of the skin would have fitted a skull, this is my own insight in the dream, but I see one of the faces nod. And then I become aware of them listening to me, and they can even talk if I would be listening. So we communicate. There is one particular face I talk with, he is the most awake, maybe used to be a scribe. He is only a skin, but has eyes too. Most of them are male.
There is one among them, they hang on the wall on eye height and lower like shields or weapons, one among them is a bit higher and is no face or human skull at all, but rather a blunt weapon which reminds me of a Thor's hammer. It looks new, polished, shines.
After a while I can no longer ignore this hammer shaped entity and I take hold of it, because since it is a weapon it has a handle, it is like a steel bar across the thing, and then it becomes another dead body and it talks too, and I ask his name, and I look in particular into his eyes. I saw his eyes quite early, but now I take the effort to look right into them because I know he would like that and it is the most sure way to communicate. This is a very lucid moment. His eyes are very big and very alive, and he looks directly at me.
When I ask his name he says: Har. I immediately accept it as true, then, by force of the earlier skin, he also says his surname, which I have forgotten, and it was not important, because it did not sound very true. Then I ask him for what kind of things I can summon him, because I obviously think I have now a contract with a spirit. But he does not know, which means that he does not know why it is that we now have contact, although we both acknowledge there must be a reason for it.
I don't know what to say, then he seems to have a thought of understanding and asks me if I want to become a missionary, and he thinks that must be it, and this must be something he is familiar with as a spirit if someone awakens him. And I don't know, and I think I should ask important questions, but there is none that comes to mind. He keeps asking (I can't read the rest of my notes), but he is serious about it. End of dream.
Saturday, 9 November 2013
In the Hall of the Gods
1. In Space
Dark, in outer space but near a moon, N and Pese were there, first only N. Spaceship, but this becomes a space base, and N and me start to make a film related to a space adventure, the intro of a film, much green as if seen through a heat detector for spying, and the images, the sound and the subtitltes were all recorded separately and in the end we must put all these three together, that is when also Pese is there, and we succeed in this, lonely as it is, though at the end there must have been other presences but not near us. When we assemble things, Pese is only in the way and there is little room in the cockpit to move about, but I have to stand behind where Pese is sitting to get a good view.
After that we are speaking about possibilities and I am thinking about these and the dream follows, so I see a planet and a moon somewhere, and the planet can be transformed into a superhero, and the moon can be transformed into its hound, which means that both are coiled up to form a sphere, and which also means they are as persons astronomically big. I can already imagine when they uncoil that they go through space and are so big that they can compete with the real big individuals in space and can track down cosmic evils, or super villains (like Magneto), and hunt then down. That will be cool. I see this planet and moon when I think about it, the planet is more or less red. But the dream ends there.
2. Gods on the Snooker Table
Light.
First of all I am on a very basic chair in a big room, alone, looking to nothing in particular, and it reminds me both of the garage and the veranda, but it is bigger, though more desolate and bigger. I am alone there though I know that in other areas of the comples people are present.
The chair is of metal and very simple. I hear someone talking to my right. I am in the middle of the room, but more to one wall, and looking to the left, so I don't see this person at first. But when I look, or maybe because it is a dream I just know, I can see the person coming halfway up through the floor. Older guy with a beard, and I know he is Poseidon and he gives me advise about remembering my dreams, and he concludes that I should rather summon Mimir to train my memory, but I realize that Poseidon must have something to do with dreams too, because of the water and the horses. And Morpheus might be in the neighbourhood but certainly I have no conversation with him, but he would be standing to the left, only as a presence.
Poseidon is whom I summoned intuitively, also to train my memory.
Then the dream shifts, it is later in the day, and I enter a room, and this room is very special, but also public, which means that the other people are also gathered here. Light and lucid, and I go through a door to enter. There are gods stationed in the room in a particular configuration that reminded me of the initial positions of snooker balls. So first there is one black god in the centre close to the door, and then a different black god on that same central line but behind the first, then gods to the side, and I only see the right side, because that is where I move to, and behind must be the crowd and the gods representing the red balls, but I never go near there so I don't know.
There first two gods are impressive, and I seem to know them and treat them as such, thinking by myself that they will surely be voodoo gods, and that they are mighty and can surely show and teach me a part of their magic. They look at me kindly and I return that.
I don't know why I am here but now I must be summoned here since everyone is gathered here and waiting, surely something important will be done here.
In waiting I pass those first two and then I meet an assembly or configuration of smaller gods cluttered together. At first I see only the red haired woman goddess that comes to me and seduces me and I take it she is a goddess of love, and possibly of Greek origin. This meeting is rather intimate, and I let myself be dragged into it and afterwards I see she belongs to that composite structure, among which the god Hermes and possibly Dionysos are present, and Hermes would be the one angry with me since it is his wife. And the gods in this place are close together and are in fact statues and statuettes, the main god is faced to the centre line so I am behind it and never see who it is but I think it was Dionysos. Then a series of smaller figurines are behind it, on table height, but placed exactly against it, and I move these a little to see who they all are. I can't remember the rest of the dream, but this was already near the end.
3. Kiss and Play
At home of parents, living room, I am there, parents are in the dining room, maybe mother is ironing. Brothers must also be somewhere but can't see them. At some point I am disturbed becaus Brfr is there with me and we play, there is a game and I instinctively play it with her, and after a while it mainly consits of throwing things gently towards each other to nudge each other, and I don't know what was used at first, but soon enough it becomes a playing card, maybe eight of hearts, or similar, and I am good at it, and move to the next stage of the game.
At some point I sit on the stairs, and have caught the card maybe, and Brfr comes fast toward me and kisses me on the lips, and I draw her near me and kiss back for real, and she lets me. And we keep playing, but now it is different in that I have to be a gentleman to her and be an easy target for her, so I sit still and very close to her, at this point she is in the one person sofa and I to the left on the floor, and I raise my arms to make myself a better target. There are more occasions where we kiss, she me, or I her. And the kisses are very nice, because they are real, once even with a little tongue.
And toward the end she tells me that no one ever before has played the game beyond this point, but I move to stage three and still play with her, willingly, because sacrificing myself to her, and I continue, because I don't see any harm in it. But it means that other boys she played with never got serious and I am different.
After making me easy and vulnerable to her which was this third stage, the dream ends, she made her point, she was happy to have found me.
Possibly the dream there changed into a new scene but I can't remember.
4. Brfr
Last things I dreamed were more in the line of what happened with Brfr and she might even have been there, light, more chaotic, things moving and happening, but I can't remember well. More people around. Inside.
Dark, in outer space but near a moon, N and Pese were there, first only N. Spaceship, but this becomes a space base, and N and me start to make a film related to a space adventure, the intro of a film, much green as if seen through a heat detector for spying, and the images, the sound and the subtitltes were all recorded separately and in the end we must put all these three together, that is when also Pese is there, and we succeed in this, lonely as it is, though at the end there must have been other presences but not near us. When we assemble things, Pese is only in the way and there is little room in the cockpit to move about, but I have to stand behind where Pese is sitting to get a good view.
After that we are speaking about possibilities and I am thinking about these and the dream follows, so I see a planet and a moon somewhere, and the planet can be transformed into a superhero, and the moon can be transformed into its hound, which means that both are coiled up to form a sphere, and which also means they are as persons astronomically big. I can already imagine when they uncoil that they go through space and are so big that they can compete with the real big individuals in space and can track down cosmic evils, or super villains (like Magneto), and hunt then down. That will be cool. I see this planet and moon when I think about it, the planet is more or less red. But the dream ends there.
2. Gods on the Snooker Table
Light.
First of all I am on a very basic chair in a big room, alone, looking to nothing in particular, and it reminds me both of the garage and the veranda, but it is bigger, though more desolate and bigger. I am alone there though I know that in other areas of the comples people are present.
The chair is of metal and very simple. I hear someone talking to my right. I am in the middle of the room, but more to one wall, and looking to the left, so I don't see this person at first. But when I look, or maybe because it is a dream I just know, I can see the person coming halfway up through the floor. Older guy with a beard, and I know he is Poseidon and he gives me advise about remembering my dreams, and he concludes that I should rather summon Mimir to train my memory, but I realize that Poseidon must have something to do with dreams too, because of the water and the horses. And Morpheus might be in the neighbourhood but certainly I have no conversation with him, but he would be standing to the left, only as a presence.
Poseidon is whom I summoned intuitively, also to train my memory.
Then the dream shifts, it is later in the day, and I enter a room, and this room is very special, but also public, which means that the other people are also gathered here. Light and lucid, and I go through a door to enter. There are gods stationed in the room in a particular configuration that reminded me of the initial positions of snooker balls. So first there is one black god in the centre close to the door, and then a different black god on that same central line but behind the first, then gods to the side, and I only see the right side, because that is where I move to, and behind must be the crowd and the gods representing the red balls, but I never go near there so I don't know.
There first two gods are impressive, and I seem to know them and treat them as such, thinking by myself that they will surely be voodoo gods, and that they are mighty and can surely show and teach me a part of their magic. They look at me kindly and I return that.
I don't know why I am here but now I must be summoned here since everyone is gathered here and waiting, surely something important will be done here.
In waiting I pass those first two and then I meet an assembly or configuration of smaller gods cluttered together. At first I see only the red haired woman goddess that comes to me and seduces me and I take it she is a goddess of love, and possibly of Greek origin. This meeting is rather intimate, and I let myself be dragged into it and afterwards I see she belongs to that composite structure, among which the god Hermes and possibly Dionysos are present, and Hermes would be the one angry with me since it is his wife. And the gods in this place are close together and are in fact statues and statuettes, the main god is faced to the centre line so I am behind it and never see who it is but I think it was Dionysos. Then a series of smaller figurines are behind it, on table height, but placed exactly against it, and I move these a little to see who they all are. I can't remember the rest of the dream, but this was already near the end.
3. Kiss and Play
At home of parents, living room, I am there, parents are in the dining room, maybe mother is ironing. Brothers must also be somewhere but can't see them. At some point I am disturbed becaus Brfr is there with me and we play, there is a game and I instinctively play it with her, and after a while it mainly consits of throwing things gently towards each other to nudge each other, and I don't know what was used at first, but soon enough it becomes a playing card, maybe eight of hearts, or similar, and I am good at it, and move to the next stage of the game.
At some point I sit on the stairs, and have caught the card maybe, and Brfr comes fast toward me and kisses me on the lips, and I draw her near me and kiss back for real, and she lets me. And we keep playing, but now it is different in that I have to be a gentleman to her and be an easy target for her, so I sit still and very close to her, at this point she is in the one person sofa and I to the left on the floor, and I raise my arms to make myself a better target. There are more occasions where we kiss, she me, or I her. And the kisses are very nice, because they are real, once even with a little tongue.
And toward the end she tells me that no one ever before has played the game beyond this point, but I move to stage three and still play with her, willingly, because sacrificing myself to her, and I continue, because I don't see any harm in it. But it means that other boys she played with never got serious and I am different.
After making me easy and vulnerable to her which was this third stage, the dream ends, she made her point, she was happy to have found me.
Possibly the dream there changed into a new scene but I can't remember.
4. Brfr
Last things I dreamed were more in the line of what happened with Brfr and she might even have been there, light, more chaotic, things moving and happening, but I can't remember well. More people around. Inside.
Friday, 8 November 2013
Day of the Shooting Stars
1. Two Moons
At night. Table, chair, I sit on it and am falling asleep on the chair. It is dark inside the room. To my left is a couch, there is another chair.
Chwe is in the neighbourhood, but behind me in a different room and I can't see her but I know she is there. Her two cats are with me. One is dozing on one end of the sofa, the other is near me, either on my lap or by my chair.
At some point I do change to the couch and try to move in without disturbing the cat that sits there. And the other cat is already trying to crawl on top of me. And then I sleep or rest on the couch. The cat that was first on the couch was on the side of my chair, but I now lay my head to the other side, so I know she has room enough.
Then Chwe comes back and takes a seat, I suppose on the sofa, though I can't remember. After a short while she suddenly kisses me on the lips, just once, quickly. I am surprised by that, by the fact that she takes initiative. Then I do the same to her, quickly a few times, and there is some back and forth kissing, but all is rather harmless and innocent.
Then the scene changes a bit though we are still on the couch, but I am looking upward, and we must be sitting now, me on the left and she on my right. And I see the dark sky of the night in front above us. Maybe at first I was only looking at the ceiling or I must have expected to be able to see the night sky, but how I got to that point I can't remember, as if there is a piece missing in the dream that I have not even dreamed.
When I see the stars and am sure of it I tell Chwe to look too, and she does, but not immediately. Surely she can't see the same things as me. I can see the moon, and I want to show her, but the moon is not bright, but black and hidden. And there is one large one across the sky, and another smaller in a normal size but round like a full moon. Darkness passes over it like clouds and you can't really see the moons, though I can and when I am sure of both being there I try to point it out to her.
or
I don't think she sees it. But then the next thing happens and I see a shooting star. Then I see another one, and I tell Chwe again to look, because I don't think she is actually watching, and I see gradually more and more shooting stars, and after a while the sky is filled with them and I can't believe it. I am thinking then that this is one of those special days where you can see many, but what I see now is really beyond tally. I say: look.
After a while watching this I am thinking there must be some space war going on in the upper atmosphere because this is not normal anymore. Things move crisscross and sometimes I imagine seeing the movements or maneuvers of space ships, fighters, but I can't be sure.
Then the dream changes again and I can't explain. Morning, the others are also here, and when we join them it is a bit awkward because of what happened between us and I don't know how to relate to Chwe, and don't know whether to say something of it to the others or not. And I can't remember the rest of the dream.
2. Taiji Application with the Master
Same dream, so this is what happens even later in the dream. Training hall, Pake is in the centre, I am behind him and other taiji people about, but to my right is another group and they are the organizers so everything that happens depends on them, green.
At some point Pake starts to do a demonstration, he is not told to by the organizers but there is nothing else to do and it has something to do with the whole organization and he believes it is the right moment and opportunity to do it. So he demonstrates a form that no one has ever seen again, and I even can't remember it now. Everyone watches, because it is beautiful. Then he says he will do the quick form, and this I know, so I decide to copy and follow him, and I also go closer, because I know he might do pushing hands and it would be good if he showed with me as a partner.
I think I am about the only one following him from close by and mimicking his movements. They are more detailed but different from what I know but it is certainly based on what I already know. And amazingly, the moves I copy go very smoothly and are always accurate, even if the fist goes out in a way I don't expect, like backward. I follow his steps.
When he sees the last two steps were difficult for people to understand, he is about to explain them and he does, but in the meantime I come a little closer again, because I'm sure he will show with someone, and I know that when I am the person nearest to him, he will pick me. So he explains the two moves first to the left and then the same step to the right and it reminds of ward off left and ward of right from the slow form.
At last he indeed decides to do an application and he does it to me, so I stand before him, but when he touches I try to remain very soft and he cannot find my centre, and we move about a bit, and this is a point that I become more awake because of the lucidity which makes it difficult to maintain the peaceful state of giving no resistance but yet keep contact, and I can, but then I start to change, because I want to look for his centre and push him, but I can't do that, because my arms definitely become to hard and that is completely the wrong way. But in this way we move a little across the room, touching and looking for each other's centre, and it is quite deep and intimate and that is where ultimately the dream ends.
3. Mexican Burgers
Last dream.
First in Belgium, probably Leuven, I'm in a small restaurant where they serve Mexican burgers, they are good but average. I know those people, two men who are already a bit of age keep this restaurant. Other people were here too. Light. At some point one of the keepers tells me he wants to move and open a restaurant in London, or maybe he says in Britain. And he asks me whether I think that is a good idea, and I think he'll only be average there, but I don't say anything. We talk a little and then I ask him where he would move, because it is not clear to me, and he says Paris. I am surprised because I was sure he meant London, and I try to convince him of London and moreover I can only tell about London because I don't know Paris.
I have seconds in this restaurant, they must have been closing for the night. Can't remember what other things happened, some interactions with other customers.
Then a part where I am somewhere else but not yet moved all the way abroad, somewhere halfway. Different stalls. I sit in one place because I know the people. I am served on by Ev who also has a restaurant. She's working alone. Can't remember what I'm having. At some point when I am eating she is bringing something else and when she comes around to face me and put it down I touch her hand, or finger, but a bit too long, and she notices and is a bit upset, does not say anything, but removes herself from the scene, to the right and keeps the distance, and to the right is a lawn.
Later I am with the first restaurant keepers again, and they have now moved into London. But now I forgot what happened. Pi is there. Long tables. I sit down. Others there. Away from the tables of Pi who has his own restaurant. When he brings food on his table, I want to be there, but I stay where I am. Nice things are served and the plates are very big, family size. All fresh and steaming. Like pizzas.
At night. Table, chair, I sit on it and am falling asleep on the chair. It is dark inside the room. To my left is a couch, there is another chair.
Chwe is in the neighbourhood, but behind me in a different room and I can't see her but I know she is there. Her two cats are with me. One is dozing on one end of the sofa, the other is near me, either on my lap or by my chair.
At some point I do change to the couch and try to move in without disturbing the cat that sits there. And the other cat is already trying to crawl on top of me. And then I sleep or rest on the couch. The cat that was first on the couch was on the side of my chair, but I now lay my head to the other side, so I know she has room enough.
Then Chwe comes back and takes a seat, I suppose on the sofa, though I can't remember. After a short while she suddenly kisses me on the lips, just once, quickly. I am surprised by that, by the fact that she takes initiative. Then I do the same to her, quickly a few times, and there is some back and forth kissing, but all is rather harmless and innocent.
Then the scene changes a bit though we are still on the couch, but I am looking upward, and we must be sitting now, me on the left and she on my right. And I see the dark sky of the night in front above us. Maybe at first I was only looking at the ceiling or I must have expected to be able to see the night sky, but how I got to that point I can't remember, as if there is a piece missing in the dream that I have not even dreamed.
When I see the stars and am sure of it I tell Chwe to look too, and she does, but not immediately. Surely she can't see the same things as me. I can see the moon, and I want to show her, but the moon is not bright, but black and hidden. And there is one large one across the sky, and another smaller in a normal size but round like a full moon. Darkness passes over it like clouds and you can't really see the moons, though I can and when I am sure of both being there I try to point it out to her.
I don't think she sees it. But then the next thing happens and I see a shooting star. Then I see another one, and I tell Chwe again to look, because I don't think she is actually watching, and I see gradually more and more shooting stars, and after a while the sky is filled with them and I can't believe it. I am thinking then that this is one of those special days where you can see many, but what I see now is really beyond tally. I say: look.
After a while watching this I am thinking there must be some space war going on in the upper atmosphere because this is not normal anymore. Things move crisscross and sometimes I imagine seeing the movements or maneuvers of space ships, fighters, but I can't be sure.
Then the dream changes again and I can't explain. Morning, the others are also here, and when we join them it is a bit awkward because of what happened between us and I don't know how to relate to Chwe, and don't know whether to say something of it to the others or not. And I can't remember the rest of the dream.
2. Taiji Application with the Master
Same dream, so this is what happens even later in the dream. Training hall, Pake is in the centre, I am behind him and other taiji people about, but to my right is another group and they are the organizers so everything that happens depends on them, green.
At some point Pake starts to do a demonstration, he is not told to by the organizers but there is nothing else to do and it has something to do with the whole organization and he believes it is the right moment and opportunity to do it. So he demonstrates a form that no one has ever seen again, and I even can't remember it now. Everyone watches, because it is beautiful. Then he says he will do the quick form, and this I know, so I decide to copy and follow him, and I also go closer, because I know he might do pushing hands and it would be good if he showed with me as a partner.
I think I am about the only one following him from close by and mimicking his movements. They are more detailed but different from what I know but it is certainly based on what I already know. And amazingly, the moves I copy go very smoothly and are always accurate, even if the fist goes out in a way I don't expect, like backward. I follow his steps.
When he sees the last two steps were difficult for people to understand, he is about to explain them and he does, but in the meantime I come a little closer again, because I'm sure he will show with someone, and I know that when I am the person nearest to him, he will pick me. So he explains the two moves first to the left and then the same step to the right and it reminds of ward off left and ward of right from the slow form.
At last he indeed decides to do an application and he does it to me, so I stand before him, but when he touches I try to remain very soft and he cannot find my centre, and we move about a bit, and this is a point that I become more awake because of the lucidity which makes it difficult to maintain the peaceful state of giving no resistance but yet keep contact, and I can, but then I start to change, because I want to look for his centre and push him, but I can't do that, because my arms definitely become to hard and that is completely the wrong way. But in this way we move a little across the room, touching and looking for each other's centre, and it is quite deep and intimate and that is where ultimately the dream ends.
3. Mexican Burgers
Last dream.
First in Belgium, probably Leuven, I'm in a small restaurant where they serve Mexican burgers, they are good but average. I know those people, two men who are already a bit of age keep this restaurant. Other people were here too. Light. At some point one of the keepers tells me he wants to move and open a restaurant in London, or maybe he says in Britain. And he asks me whether I think that is a good idea, and I think he'll only be average there, but I don't say anything. We talk a little and then I ask him where he would move, because it is not clear to me, and he says Paris. I am surprised because I was sure he meant London, and I try to convince him of London and moreover I can only tell about London because I don't know Paris.
I have seconds in this restaurant, they must have been closing for the night. Can't remember what other things happened, some interactions with other customers.
Then a part where I am somewhere else but not yet moved all the way abroad, somewhere halfway. Different stalls. I sit in one place because I know the people. I am served on by Ev who also has a restaurant. She's working alone. Can't remember what I'm having. At some point when I am eating she is bringing something else and when she comes around to face me and put it down I touch her hand, or finger, but a bit too long, and she notices and is a bit upset, does not say anything, but removes herself from the scene, to the right and keeps the distance, and to the right is a lawn.
Later I am with the first restaurant keepers again, and they have now moved into London. But now I forgot what happened. Pi is there. Long tables. I sit down. Others there. Away from the tables of Pi who has his own restaurant. When he brings food on his table, I want to be there, but I stay where I am. Nice things are served and the plates are very big, family size. All fresh and steaming. Like pizzas.
Monday, 4 November 2013
Lost in Deep Space
1. Bound
(Vision)
Last part of a dream, new scene.
I am walking home at night, from centre of town, through Ravenstraat. I pass my street on the right without realizing it. It rains slightly. I have my eyes turned down a bit, but then suddenly I see another person coming from the other side, walking this street. And in an instant I recognize her. It is Kaco, and I assume she is going home as well, since she now works nearby. She wears dark blue, and I recognize her haircut. She sees me too in that instance.
I don't want to be a bother, so I immediately turn my head to the right, and look down, and stay where I am, but I can tell that she stopped moving as well, as she had not expected to run into me. So both of us look away.
When I want to look back at her I can't, as if I am bound, and I can't even get up. I am crouched, though still on my two feet, and this seems to be something I do to myself, but not being able to look back at her reminds me of those times in the past in dreams where I am not able to open my eyes because the light is too blinding. It seems that she has such a hard time, or I do, with facing each other, that I can't look at her and start to collapse onto myself, and there is nothing I can do, and I even hear myself groan when I wake up. I moan in reality, that is the end of the dream, or vision, because all looked as if it might have been real.
2. Two German Girls
Light, Leuven, Hooverplein. At the balloon statue, I pass a girl that I know. A little later I meet another, and both are somehow linked. And somewhat later when I pass the same spot they are both together, as if dealing out leaflets to people, a little distance away from each other. One is dressed in red, the other I can't remember, but more like dark blue I think. And I know their names, because one is called Christine, and the other is called Anne-Lise. And at those different timing I go up to them and ask them questions, but I can't remember regarding what, only that I thought they might be able to help me. One of them reminds me of the girl from Germany, Berlin, who visited my uncle and aunt B&D two weeks ago. She is my age. In the dream, both might be from Germany.
3. Black Ship, Red Nebula, Paper Water Bird Planet
Maybe the same dream.
I'm on a ship, on land, because it is pulled on dry land and refurbished as a ship. I don't think I have been here before, but the location is where Stuk is, and this place is very posh. It has three stories, the outside of the ship is black with white, but mostly black. The inside is like a large rectangle. Very large, the whole complex is some distance above ground, so you can see the parts of the ship that would normally be under the surface of the water. There are metal stairs to go up and down.
I think I am in the middle section, and in the corner at my back to the right is a kitchen, professional. And this is a restaurant.
Later the three sections are pulled together and form one big ship. D is there.
At some point in this or another dream, Dore is there.
Then things change, but still the same dream, next thing I remember is the city, and then I am in space on a spacecraft with someone else. The two of us cruise through deep space, nowhere near a place I am familiar with and all is dark, but the spots where we just passed, and in fact we look at the rear of the ship, because there seems to be some sublimation, crystallization, like airplanes leave in the air. And it is mostly red and nebulous, and I think it is a wonderful sight, and it tells us something about the composition of space.
We are actually lost with our spacecraft, the two of us.
While we watch this fuel vapour or whatever it is, the other person asks me if we have a certain atom on board, because he would like to fire that across the nebula behind the ship, and it will work like an indicator, and we will know even more about the composition, and we will also be able to tell if this is real space we are identifying or the gases from the ship, but it is the first. The atom is called Fiero.
I don't know what he means, but I look closer to see if what he means.
The nebula has waves in it in red hues, and you can see the curvings of space or gravity, and that means that this sight unveils planets and so on, in space, that we pass somehow.
It is like a big soft red cloud that stretches behind us, and it is a signature, of the location in space.
Planets and star systems become apparent and clearly recognizable.
So then we look more intent, and even without the atom we start to see individual planets and systems. Some have texts in space on them, in English, and this is weird to encounter, and a few ones later, there is even a planet with a long text inscribed on top of it and a voice is repeating the text, and this is a weird sensation. I wonder how it is possible. Colours also have changed to these different objects, mostly white.
At some point we land, more by accident or pressure than by will, and when we descend through the clouds we enter a city, and to our left we see a white crane hovering reading the newspaper, but the bird is made of paper, white. And when we land, we see more of the same creatures. And somewhat later we learn that these paper birds live in or under the water, in ponds.
The reason why we landed is because we are without fuel. So once on the planet I start thinking about solutions. We don't find fuel.
Then, at some point we are told by someone living here that we should hurry and go to a certain office, booth, and formally register as being aliens, or coming from outer space, because if we don't do this before three o'clock, we will be regarded as people of this planet, and we will not be able to leave the planet.
I was already thinking of going there. And while we go there, round a house first, then cross the square, it has started to rain, or hail, and the white stones are a chemical substance but not water, ammonia is among it and some other substance I can't remember.
4. Catching a Train
There might have been a dream in which I was in a train station, with other people. But I can't remember well.
5. Maffia
There was some last dream which was chaotic, in a house, different rooms, but mostly at the road side, and lots of people, and competing with another group. I do my own thing. Can't remember the rest, though the end was that I was too awake to call it a dream anymore, there was a car abducting my brother D, I went after them, came back, had homework to do, made eggs in the frying pan, added another one, while people were still crowding, one girl was of the bad guys team, near me, I hug her from behind, she is pregnant I feel.
+6. Chestful of Tomatoes
I remember a fragment where I grab tomatoes, all small ones like cherry tomatoes and a little bigger than that, but different colours, red and yellow, these were all different kinds of tomato in fact, and I tried to grab many in my hand as I could, but I could not hold on to more than fitted in my hand, naturally, this shows my greed, or the desire to be fast. The wooden basket in which they lay was turned away from me. Inside, other people around but not much.
(Vision)
Last part of a dream, new scene.
I am walking home at night, from centre of town, through Ravenstraat. I pass my street on the right without realizing it. It rains slightly. I have my eyes turned down a bit, but then suddenly I see another person coming from the other side, walking this street. And in an instant I recognize her. It is Kaco, and I assume she is going home as well, since she now works nearby. She wears dark blue, and I recognize her haircut. She sees me too in that instance.
I don't want to be a bother, so I immediately turn my head to the right, and look down, and stay where I am, but I can tell that she stopped moving as well, as she had not expected to run into me. So both of us look away.
When I want to look back at her I can't, as if I am bound, and I can't even get up. I am crouched, though still on my two feet, and this seems to be something I do to myself, but not being able to look back at her reminds me of those times in the past in dreams where I am not able to open my eyes because the light is too blinding. It seems that she has such a hard time, or I do, with facing each other, that I can't look at her and start to collapse onto myself, and there is nothing I can do, and I even hear myself groan when I wake up. I moan in reality, that is the end of the dream, or vision, because all looked as if it might have been real.
2. Two German Girls
Light, Leuven, Hooverplein. At the balloon statue, I pass a girl that I know. A little later I meet another, and both are somehow linked. And somewhat later when I pass the same spot they are both together, as if dealing out leaflets to people, a little distance away from each other. One is dressed in red, the other I can't remember, but more like dark blue I think. And I know their names, because one is called Christine, and the other is called Anne-Lise. And at those different timing I go up to them and ask them questions, but I can't remember regarding what, only that I thought they might be able to help me. One of them reminds me of the girl from Germany, Berlin, who visited my uncle and aunt B&D two weeks ago. She is my age. In the dream, both might be from Germany.
3. Black Ship, Red Nebula, Paper Water Bird Planet
Maybe the same dream.
I'm on a ship, on land, because it is pulled on dry land and refurbished as a ship. I don't think I have been here before, but the location is where Stuk is, and this place is very posh. It has three stories, the outside of the ship is black with white, but mostly black. The inside is like a large rectangle. Very large, the whole complex is some distance above ground, so you can see the parts of the ship that would normally be under the surface of the water. There are metal stairs to go up and down.
I think I am in the middle section, and in the corner at my back to the right is a kitchen, professional. And this is a restaurant.
Later the three sections are pulled together and form one big ship. D is there.
At some point in this or another dream, Dore is there.
Then things change, but still the same dream, next thing I remember is the city, and then I am in space on a spacecraft with someone else. The two of us cruise through deep space, nowhere near a place I am familiar with and all is dark, but the spots where we just passed, and in fact we look at the rear of the ship, because there seems to be some sublimation, crystallization, like airplanes leave in the air. And it is mostly red and nebulous, and I think it is a wonderful sight, and it tells us something about the composition of space.
We are actually lost with our spacecraft, the two of us.
While we watch this fuel vapour or whatever it is, the other person asks me if we have a certain atom on board, because he would like to fire that across the nebula behind the ship, and it will work like an indicator, and we will know even more about the composition, and we will also be able to tell if this is real space we are identifying or the gases from the ship, but it is the first. The atom is called Fiero.
I don't know what he means, but I look closer to see if what he means.
The nebula has waves in it in red hues, and you can see the curvings of space or gravity, and that means that this sight unveils planets and so on, in space, that we pass somehow.
It is like a big soft red cloud that stretches behind us, and it is a signature, of the location in space.
Planets and star systems become apparent and clearly recognizable.
So then we look more intent, and even without the atom we start to see individual planets and systems. Some have texts in space on them, in English, and this is weird to encounter, and a few ones later, there is even a planet with a long text inscribed on top of it and a voice is repeating the text, and this is a weird sensation. I wonder how it is possible. Colours also have changed to these different objects, mostly white.
At some point we land, more by accident or pressure than by will, and when we descend through the clouds we enter a city, and to our left we see a white crane hovering reading the newspaper, but the bird is made of paper, white. And when we land, we see more of the same creatures. And somewhat later we learn that these paper birds live in or under the water, in ponds.
The reason why we landed is because we are without fuel. So once on the planet I start thinking about solutions. We don't find fuel.
Then, at some point we are told by someone living here that we should hurry and go to a certain office, booth, and formally register as being aliens, or coming from outer space, because if we don't do this before three o'clock, we will be regarded as people of this planet, and we will not be able to leave the planet.
I was already thinking of going there. And while we go there, round a house first, then cross the square, it has started to rain, or hail, and the white stones are a chemical substance but not water, ammonia is among it and some other substance I can't remember.
4. Catching a Train
There might have been a dream in which I was in a train station, with other people. But I can't remember well.
5. Maffia
There was some last dream which was chaotic, in a house, different rooms, but mostly at the road side, and lots of people, and competing with another group. I do my own thing. Can't remember the rest, though the end was that I was too awake to call it a dream anymore, there was a car abducting my brother D, I went after them, came back, had homework to do, made eggs in the frying pan, added another one, while people were still crowding, one girl was of the bad guys team, near me, I hug her from behind, she is pregnant I feel.
+6. Chestful of Tomatoes
I remember a fragment where I grab tomatoes, all small ones like cherry tomatoes and a little bigger than that, but different colours, red and yellow, these were all different kinds of tomato in fact, and I tried to grab many in my hand as I could, but I could not hold on to more than fitted in my hand, naturally, this shows my greed, or the desire to be fast. The wooden basket in which they lay was turned away from me. Inside, other people around but not much.
Saturday, 2 November 2013
Back Home
1. Minions
Pumpkin soup. My own apartment, two cats, morning to early noon, minions of Despicable Me.
Something about school. Waiting a long time.
2. Team Mission
Seeing to completing a mission, alone, but by working together.
3. Because Mom is Dead
In the house, room with old stuff, our mother is dead, now she is here no longer we are faced with all this old stuff. But there is light in the room, that is, now light reaches the room. In one room, which is really dusty and a bit dark at first, there are panels on which fabric is stretched and I remember that our mother used these. And I am thinking to maybe hold on to these because I could use them, but they are worn, and the colours are gone, yellows and greens, in fact it is ugly. A bit dirty too. However, I know if the time for deciding comes, I will bin it.
House of parents, but desolate, N is here, and me, and mother, who is present emphatically. Later I am using the toilet to escape my mom. This is all in the dining room. The colours are good quality and wood. Maybe my brother and I were doing something, but then when mother shows up, I'd like to go away and avoid her. N is not disturbed.
So the first thing I do is flee to the toilet, which in this case is in the corner of the dining room and the kitchen, right from the door to the kitchen. I enter, but I can't get the door closed, something is wrong with the lock, but I have another chance, because there is another door opposite, which in such a small room is immediately behind me, but I can't shut that one either, so I am rather exposed. I get this second door a bit closed and am a bit relieved, but even with the door closed you can see everything. Walls don't count.
So I leave this compartment and go more to the right, which is the front door in this case, and I can even see the outside, which is a unkempt garden, but rather big. And this front door is the side of the house. The hall of entry is what I escape to because it is a bit special, hi-tech, and full automatic, but it has been a long time since I've been in this house, and things don't work as I remember. I enter the hallway, which is royal and posh, and this is like a lift and it should therefore take me away from the main house, and it lifts when I enter and then swings to one side, and then makes a loop, and turns this way and that as if the thing is not fastened to the house at all, and I know this is not normal, but I don't panic. Things go rather fast, but I'm not sure if I'm getting away in this way.
I go through all of this because I did not want to take the staircase inside the house, because this was firstly too easy, and secondly too close to where my mom was. This stair was on the left, living room, wood, never seen it, but knew it was there.
When I finally land I see outside a car arriving. Friends of mine get out of the car, men and women, maybe two, maybe four, and they want to help me, come my way. There is a barrier, wooden (slagboom) beam to close the gate as if, and this they have to lift, but they can open it. The beam is long and rough, this is at the street side, which is up.
Outside, there is more folk. Dive and Ancl are there, and Bale is there, all in the garage, and there are plants, this is when we go past the house, which should have been the front originally, and all my friends go with me, and Bale knows her way well, and there is a little patch with plants and herbs and stuff, and more to the right a shed with garden tools, all very different than reality, very dream like, but real looking.
I can't remember why I am there so I turn again, pass Bale, she says something about a particular herb there, klitkruid, which is one that has seeds that stick to your clothes. Bale is angry at me, but now I don't remember why. There was in the shed also a grey cat which looked a bit like S, but even in the dream it was clear that she wasn't the same cat. Yet I'm happy to see that cat.
Then notes I can't read, and then: something about Africa, Johannesburg to Congo, there is a lawn, enclosure actually.
Here I can't find my way and I get lost. This is behind and away from the house and the lawn slopes down and I walk a long way and that is when I loose my way. And Bale is all the time with me, and we also pass a large building in the middle of this nowhere, which is rather upsetting, reminds me most of a water tower, but also reminds me of an alien military base, but no movement and I have no fear.
I know I should head back, because I will not arrive where I was planning to go. On the way back on the lawn, which is still a long way from being back, I reach out for Bale and kiss her on the lips, several times, quickly one after the other, and she does not react, and I want keep going to see if her attitude changes.
At some point, Toha and Beha are there, and there is something about a cantus, I think Toha says something about this when we pass a certain building, he must have been there the day before, on our left.
4. Pineapple Cocktail
Something about a pineapple cocktail, at least two glasses, looks blue grey, and has a lot of alcohol in it, but is refreshing too. Some other person there, too.
Pumpkin soup. My own apartment, two cats, morning to early noon, minions of Despicable Me.
Something about school. Waiting a long time.
2. Team Mission
Seeing to completing a mission, alone, but by working together.
3. Because Mom is Dead
In the house, room with old stuff, our mother is dead, now she is here no longer we are faced with all this old stuff. But there is light in the room, that is, now light reaches the room. In one room, which is really dusty and a bit dark at first, there are panels on which fabric is stretched and I remember that our mother used these. And I am thinking to maybe hold on to these because I could use them, but they are worn, and the colours are gone, yellows and greens, in fact it is ugly. A bit dirty too. However, I know if the time for deciding comes, I will bin it.
House of parents, but desolate, N is here, and me, and mother, who is present emphatically. Later I am using the toilet to escape my mom. This is all in the dining room. The colours are good quality and wood. Maybe my brother and I were doing something, but then when mother shows up, I'd like to go away and avoid her. N is not disturbed.
So the first thing I do is flee to the toilet, which in this case is in the corner of the dining room and the kitchen, right from the door to the kitchen. I enter, but I can't get the door closed, something is wrong with the lock, but I have another chance, because there is another door opposite, which in such a small room is immediately behind me, but I can't shut that one either, so I am rather exposed. I get this second door a bit closed and am a bit relieved, but even with the door closed you can see everything. Walls don't count.
So I leave this compartment and go more to the right, which is the front door in this case, and I can even see the outside, which is a unkempt garden, but rather big. And this front door is the side of the house. The hall of entry is what I escape to because it is a bit special, hi-tech, and full automatic, but it has been a long time since I've been in this house, and things don't work as I remember. I enter the hallway, which is royal and posh, and this is like a lift and it should therefore take me away from the main house, and it lifts when I enter and then swings to one side, and then makes a loop, and turns this way and that as if the thing is not fastened to the house at all, and I know this is not normal, but I don't panic. Things go rather fast, but I'm not sure if I'm getting away in this way.
I go through all of this because I did not want to take the staircase inside the house, because this was firstly too easy, and secondly too close to where my mom was. This stair was on the left, living room, wood, never seen it, but knew it was there.
When I finally land I see outside a car arriving. Friends of mine get out of the car, men and women, maybe two, maybe four, and they want to help me, come my way. There is a barrier, wooden (slagboom) beam to close the gate as if, and this they have to lift, but they can open it. The beam is long and rough, this is at the street side, which is up.
Outside, there is more folk. Dive and Ancl are there, and Bale is there, all in the garage, and there are plants, this is when we go past the house, which should have been the front originally, and all my friends go with me, and Bale knows her way well, and there is a little patch with plants and herbs and stuff, and more to the right a shed with garden tools, all very different than reality, very dream like, but real looking.
I can't remember why I am there so I turn again, pass Bale, she says something about a particular herb there, klitkruid, which is one that has seeds that stick to your clothes. Bale is angry at me, but now I don't remember why. There was in the shed also a grey cat which looked a bit like S, but even in the dream it was clear that she wasn't the same cat. Yet I'm happy to see that cat.
Then notes I can't read, and then: something about Africa, Johannesburg to Congo, there is a lawn, enclosure actually.
Here I can't find my way and I get lost. This is behind and away from the house and the lawn slopes down and I walk a long way and that is when I loose my way. And Bale is all the time with me, and we also pass a large building in the middle of this nowhere, which is rather upsetting, reminds me most of a water tower, but also reminds me of an alien military base, but no movement and I have no fear.
I know I should head back, because I will not arrive where I was planning to go. On the way back on the lawn, which is still a long way from being back, I reach out for Bale and kiss her on the lips, several times, quickly one after the other, and she does not react, and I want keep going to see if her attitude changes.
At some point, Toha and Beha are there, and there is something about a cantus, I think Toha says something about this when we pass a certain building, he must have been there the day before, on our left.
4. Pineapple Cocktail
Something about a pineapple cocktail, at least two glasses, looks blue grey, and has a lot of alcohol in it, but is refreshing too. Some other person there, too.
Monday, 21 October 2013
Four Armed Alien Invasion at Sea
1. Eva
I arrive at home, veranda, for lunchtime and to eat something. My father is here. My brothers are also somewhere. I eat a banana.
Something with a telephone, Tama is there, nothing to something something. Something (can't read notes).
At some point in the dream I was also at the beginning of the street of parents.
Something about the Hebrew origin of the name Eva, which means 'life', Chavah, that it is almost a palindrome. It means 'being'. Other names were said too. This was inside. Other people.
Back home, same dream I think, my brother D something (can't read my notes), school something (can't read), via phone.
The whole dream started at noon and ended at evening.
2. Black DVD
Brva comes to bring me a dvd, which she brought especially for me, and this is more or less clandestine, no cover, shape of a cd. She developed a new system, so that I can get these dvd's without anyone knowing. She will put these in my pigeon hole, and I can smuggle them. This is at work, she comes from downstairs to bring it. Something is called 'in the restaurant', possibly the dvd.
This is at the same time at a school where I went, HDC, and I am the main character. Stairs, downstairs, small something (can't read), girl. I arrive, her sister comes and has change with her, this is at the till, and I just arrive to take it and put it in the till, but I have to count it first.
She needs to pay something, but only has change, which she puts in piles of 1 euro on the counter, but each pile is made up of 5 cent, though not completely, some 2 cent and one 1 cent, which makes it difficult to count. The coins look like metal. I want to count it piece by piece, but she is impatient and makes things difficult. To do all this, I have also developed some sort of system.
I start to count backward, in front are those two women, but I do not trust them, which is why I want to recount. The till looks like a classroom bench.
Digr is there, he makes some comment, while the other people are still there, about me, why I should hit on them, and he is too open in this, and I am ashamed or put at unease. There was some nudity somewhere, and he made a remark, now I can't remember well. He assumed that I would go for it. But I did not like him being so public about it.
3. Long Brown Hair
I remember a dream in which I saw myself and my hair was longer on top, but not to the side, and more greasy too, and I had trouble keeping it down, but at least it was healthy, brown. Dark.
4. Alien Invasion and the Jewish Shelter
At sea. Daylight, light, open space, sea on my left, big city buildings on the right, lots of space between the buildings and the sea itself. I walk there.
First part of the dream was me on my own walking there with some mission I think, going home I think, I can't remember what, but there were other people about, and some people I know, because this is a close community, but at that time I am alone, and I want to be alone, which might be the reason why I am walking.
Then next or maybe the next day, something happens that I feared would happen, which is a space ship that lands, and I know it is the first of many. And there is reason to be afraid and seek shelter. People do this, it takes a while before people realize, but not long. The one ship lands still far away, which buys us some time. But then all the other space ships descend and the situation is hopeless, and they land in the same area, but where they land they destroy everything, and living beings they shoot or kill. And they leave their ships and go about the city and kill everyone as if to clean this place and make it theirs. This is an alien invasion, and they have no mercy.
This is the morning then.
At that point I am at a place where the road splits, one part leads up to where they are and the other leads down to where I saw someone else run to hide, there are cars, I go there, but I also watch the ships and the aliens. I see them walking the streets, and at first there are only a few, but not long after it is really an invasion, troops, army, like a colonization. When I watch them I see they are human, and I think I construct something in my mind to make them look more alien, so that we can see the difference between them and us, otherwise it would be impossible for us to see the difference, but they will always know.
And that is why they have four arms. But some hide it and they look like us, only taller, I remember now. They all go the same way, toward the centre of town. Dressed alike, loose upper shirt. I try not to expose myself, but I also pretend as if I have an extra set of arms and walk the same direction as they do, now they have reached this end of the street, which is wide. And I see some distance from me, in front, another alien, I think he has eight arms, and two legs, this must be a chief, but he is the only one different, and I am not sure I can trust what I see, because I know it might be a construct of my own imagination. They move their lower set of arms continually, as if to stress that they have more arms than us, so I try to mimic that with my own pair of arms. I don't get caught, but I try to keep a low profile.
In any way, it is too late for me to run and hide where I would have gone first, down the other road, so I decide to go in the same direction, and then see if I can knock on a door and slip through before they notice.
When I am a little more toward the centre, but still near the sea, which is always near, I see a young girl with a lot of courage. She is part of a Jewish family, that lives in that house, from which she comes. I know them because they live here, but she comes out of the door, opens it, and calls over aliens to invite them in, I can't remember why, but she had a plan, and her family did not agree to it, but she was cunning. The family is ready to run, but they are inside, father and mother, and the rest I can't remember. But I think this is my one time opportunity so I go in, the girl after me, and I see the Jewish family hurry about to prepare for flight. And the first room I enter is the living room, lots of wood, warm atmosphere.
I spend some time there. Don't know what happens next exactly, but I think the dream continues the next day, and that is when things have calmed down. The aliens have taken over everything, and murdered most people who got in their way, but they were not very thorough, did not intend to, but had no mercy either. Now the situation is different, they are the majority and control the situation.
The day is bright and sunny, and maybe morning, and we come out, we have to, and there are a few others with us. I am with the Jewish girl, and some friends I know are here in a corner outside near a park, away from the main street that is crowded with aliens, we stay a little away, because we don't know whether it is safe.
Aliens sit on the meadow near us, and clearly they are in a mood of peace and take a rest. So I venture out and dare to face them, because there is not much else we can do, either we die, or we die, so I go one of them, a young man, who sits with his friends, but this one is turned toward me and he looks as if you can talk to him. So I go to him and ask him: can we be friends, you and I. And I mean humans and aliens, because I need to know, I want to know my fate. He sits on the grass but he says no. There is some short conversation which I can't remember word for word, but it is clear that they cannot spare us. There is no future, he makes clear, between the lot of us and them. That seals it.
To make his point clear, he shows me a metal can with a red liquid in it which looks like soup, but is more bright, maybe the colour of raspberry. And I can see and feel from where I am standing that this is some sort of quantum device, and he explains that he can teleport me to another place, but I understand very well that if I go through this portal, I will not come alive out of the other end. Except for the Jewish girl, the others are afraid and stay behind. Then the man says that that is indeed their intention, and I understand it is some kind of execution method which is in some ways human, because it is not direct. But today or tomorrow, they will gather all the humans and have them step in the soup. And I know from the moment I would step in this that I will disappear, foot first, the rest not yet, because the foot will already be in a different dimension, but cannot stand the wormhole conditions, so this is bad.
5. Baby Turns into a Blond Guy
Possibly the same dream, or at leas the same rem. Tama is there, she is on the left. She has a baby, but the baby is not always with her. She is on the couch. Inside. I am there, Digr is there, other people.
At some point the baby crawls on top of her, and there is something that she needs to do, which might be something I suggest, because the time is right and if she don't she will not have a chance later, this to have her baby survive I think. What needs to be done is that the baby copulates with her.
First, when the baby crawls over her, this is the second time, he becomes a young man, blond, handsome, young, but still a child in mind. Tama before put cookies on top of her body to lure the baby on top of her, on her lap, on her face, and elsewhere, maybe the chest. When the baby transforms into a grown person, this guy looks like her. He is dressed, but not completely, and not very conscious, but he is now able to enter her. It must be done. Once is enough, but of course once he starts, he wants more. He enters her three times. But Tama must now also be strong and not let herself be carried away, because it is still her son, she cannot see him as a boyfriend. So if they keep going things will be lost, too, but they stop, can't remember how or why, because I even remember Tama saying to the boy if he wants more, and I felt his seed ready to come at that point, so maybe I prevented it.
I arrive at home, veranda, for lunchtime and to eat something. My father is here. My brothers are also somewhere. I eat a banana.
Something with a telephone, Tama is there, nothing to something something. Something (can't read notes).
At some point in the dream I was also at the beginning of the street of parents.
Something about the Hebrew origin of the name Eva, which means 'life', Chavah, that it is almost a palindrome. It means 'being'. Other names were said too. This was inside. Other people.
Back home, same dream I think, my brother D something (can't read my notes), school something (can't read), via phone.
The whole dream started at noon and ended at evening.
2. Black DVD
Brva comes to bring me a dvd, which she brought especially for me, and this is more or less clandestine, no cover, shape of a cd. She developed a new system, so that I can get these dvd's without anyone knowing. She will put these in my pigeon hole, and I can smuggle them. This is at work, she comes from downstairs to bring it. Something is called 'in the restaurant', possibly the dvd.
This is at the same time at a school where I went, HDC, and I am the main character. Stairs, downstairs, small something (can't read), girl. I arrive, her sister comes and has change with her, this is at the till, and I just arrive to take it and put it in the till, but I have to count it first.
She needs to pay something, but only has change, which she puts in piles of 1 euro on the counter, but each pile is made up of 5 cent, though not completely, some 2 cent and one 1 cent, which makes it difficult to count. The coins look like metal. I want to count it piece by piece, but she is impatient and makes things difficult. To do all this, I have also developed some sort of system.
I start to count backward, in front are those two women, but I do not trust them, which is why I want to recount. The till looks like a classroom bench.
Digr is there, he makes some comment, while the other people are still there, about me, why I should hit on them, and he is too open in this, and I am ashamed or put at unease. There was some nudity somewhere, and he made a remark, now I can't remember well. He assumed that I would go for it. But I did not like him being so public about it.
3. Long Brown Hair
I remember a dream in which I saw myself and my hair was longer on top, but not to the side, and more greasy too, and I had trouble keeping it down, but at least it was healthy, brown. Dark.
4. Alien Invasion and the Jewish Shelter
At sea. Daylight, light, open space, sea on my left, big city buildings on the right, lots of space between the buildings and the sea itself. I walk there.
First part of the dream was me on my own walking there with some mission I think, going home I think, I can't remember what, but there were other people about, and some people I know, because this is a close community, but at that time I am alone, and I want to be alone, which might be the reason why I am walking.
Then next or maybe the next day, something happens that I feared would happen, which is a space ship that lands, and I know it is the first of many. And there is reason to be afraid and seek shelter. People do this, it takes a while before people realize, but not long. The one ship lands still far away, which buys us some time. But then all the other space ships descend and the situation is hopeless, and they land in the same area, but where they land they destroy everything, and living beings they shoot or kill. And they leave their ships and go about the city and kill everyone as if to clean this place and make it theirs. This is an alien invasion, and they have no mercy.
This is the morning then.
At that point I am at a place where the road splits, one part leads up to where they are and the other leads down to where I saw someone else run to hide, there are cars, I go there, but I also watch the ships and the aliens. I see them walking the streets, and at first there are only a few, but not long after it is really an invasion, troops, army, like a colonization. When I watch them I see they are human, and I think I construct something in my mind to make them look more alien, so that we can see the difference between them and us, otherwise it would be impossible for us to see the difference, but they will always know.
And that is why they have four arms. But some hide it and they look like us, only taller, I remember now. They all go the same way, toward the centre of town. Dressed alike, loose upper shirt. I try not to expose myself, but I also pretend as if I have an extra set of arms and walk the same direction as they do, now they have reached this end of the street, which is wide. And I see some distance from me, in front, another alien, I think he has eight arms, and two legs, this must be a chief, but he is the only one different, and I am not sure I can trust what I see, because I know it might be a construct of my own imagination. They move their lower set of arms continually, as if to stress that they have more arms than us, so I try to mimic that with my own pair of arms. I don't get caught, but I try to keep a low profile.
In any way, it is too late for me to run and hide where I would have gone first, down the other road, so I decide to go in the same direction, and then see if I can knock on a door and slip through before they notice.
When I am a little more toward the centre, but still near the sea, which is always near, I see a young girl with a lot of courage. She is part of a Jewish family, that lives in that house, from which she comes. I know them because they live here, but she comes out of the door, opens it, and calls over aliens to invite them in, I can't remember why, but she had a plan, and her family did not agree to it, but she was cunning. The family is ready to run, but they are inside, father and mother, and the rest I can't remember. But I think this is my one time opportunity so I go in, the girl after me, and I see the Jewish family hurry about to prepare for flight. And the first room I enter is the living room, lots of wood, warm atmosphere.
I spend some time there. Don't know what happens next exactly, but I think the dream continues the next day, and that is when things have calmed down. The aliens have taken over everything, and murdered most people who got in their way, but they were not very thorough, did not intend to, but had no mercy either. Now the situation is different, they are the majority and control the situation.
The day is bright and sunny, and maybe morning, and we come out, we have to, and there are a few others with us. I am with the Jewish girl, and some friends I know are here in a corner outside near a park, away from the main street that is crowded with aliens, we stay a little away, because we don't know whether it is safe.
Aliens sit on the meadow near us, and clearly they are in a mood of peace and take a rest. So I venture out and dare to face them, because there is not much else we can do, either we die, or we die, so I go one of them, a young man, who sits with his friends, but this one is turned toward me and he looks as if you can talk to him. So I go to him and ask him: can we be friends, you and I. And I mean humans and aliens, because I need to know, I want to know my fate. He sits on the grass but he says no. There is some short conversation which I can't remember word for word, but it is clear that they cannot spare us. There is no future, he makes clear, between the lot of us and them. That seals it.
To make his point clear, he shows me a metal can with a red liquid in it which looks like soup, but is more bright, maybe the colour of raspberry. And I can see and feel from where I am standing that this is some sort of quantum device, and he explains that he can teleport me to another place, but I understand very well that if I go through this portal, I will not come alive out of the other end. Except for the Jewish girl, the others are afraid and stay behind. Then the man says that that is indeed their intention, and I understand it is some kind of execution method which is in some ways human, because it is not direct. But today or tomorrow, they will gather all the humans and have them step in the soup. And I know from the moment I would step in this that I will disappear, foot first, the rest not yet, because the foot will already be in a different dimension, but cannot stand the wormhole conditions, so this is bad.
5. Baby Turns into a Blond Guy
Possibly the same dream, or at leas the same rem. Tama is there, she is on the left. She has a baby, but the baby is not always with her. She is on the couch. Inside. I am there, Digr is there, other people.
At some point the baby crawls on top of her, and there is something that she needs to do, which might be something I suggest, because the time is right and if she don't she will not have a chance later, this to have her baby survive I think. What needs to be done is that the baby copulates with her.
First, when the baby crawls over her, this is the second time, he becomes a young man, blond, handsome, young, but still a child in mind. Tama before put cookies on top of her body to lure the baby on top of her, on her lap, on her face, and elsewhere, maybe the chest. When the baby transforms into a grown person, this guy looks like her. He is dressed, but not completely, and not very conscious, but he is now able to enter her. It must be done. Once is enough, but of course once he starts, he wants more. He enters her three times. But Tama must now also be strong and not let herself be carried away, because it is still her son, she cannot see him as a boyfriend. So if they keep going things will be lost, too, but they stop, can't remember how or why, because I even remember Tama saying to the boy if he wants more, and I felt his seed ready to come at that point, so maybe I prevented it.
Tuesday, 15 October 2013
Solitary Elephant
1. Wales, Elephant and Science Fiction Film
At home. Because I don't remember well, or was not awake enough after the dream when I took notes, it seems that two locations were used at the same time: home and at sea.
At home. Still morning, before noon, calm, not many people out, because holiday and early. We are waiting for people, a group. At home, N is here. At sea, this is Digr.
At home. I see an elephant, this is in the half dark, so maybe another timing, and I see the elephant sitting in a corner against the wall of the house of parents. I had not expected to see an elephant, it is a strange sight, but I see him every time and it starts to become familiar. Different places and positions. I can't remember anymore, but always the elephant is on his own, but looks as if part of the house, maybe a member of family. Small for an elephant, maybe a third of the real size, but impressive enough. This when N is in the neighbourhood.
Scene with Digr is in Wales, we are planning an excursion. He is impatient. The wind blows a little and the landscape is flat, and you can smell and touch the sea in it. This is on a T-crossing, large one. Concrete road ends in a T, and both ends lead to the sea.
I have been planning the excursion, and in an earlier fragment I am on my own with a map, and on the map I point the different places where I want to go, some of which are in Belgium too, but most in Britain. White paper, black markings. The pointing out of locations brings me there, but this is always very briefly, and in mind only, but I feel the potential when I do it. But I don't want to experience this now, so I retreat quick enough and leave the map and join Digr, who is at the crossroads itself, and I come along the concrete road. I suppose earlier in the dream it was shown where I came from, but I can't remember.
At home, 11 o'clock, no one has come yet. We will go scout already. Elephant is in the garage, sleeping. Something with a girl, can't remember. At some point when I see the elephant walking, with his back to me, on two legs, yes, he is striped like a tiger, brown and yellow.
At sea, when I join Digr, he starts anyway, explaining something to me, while I know this better than him, but I let him make the mistakes. He starts drawing a chemical formula, and when he does, there is a white blackboard on a pole, on the side at the T-crossing. I am on his left, he explains this molecule, which is made up of H, C and O, but when he numbers the atoms, I know he is mistaking, black marker on the white board. Then he is not sure and puts other numbers to correct on the right upper corner of the atoms, and then beneath, counts H10, C10, O10, and this can't be right at all, but it certainly is closer to the truth than what he was saying earlier.
Later I am alone in a room, and the place where I sit reminds me of the desk which used to be Cavs's place, but she no longer works with us. I have a laptop or computer there, which cannot be the one from work, because that one is on the left, and the one I have now is in front of me. I am alone, and I suppose I am taking a break, I sit myself here to sneak out and rest.
I browse and am faced with the ad of a new film, which I would like to see, and I zoom in, or click on it or just acknowledge that I am okay with seeing this, even if the ad comes on the screen quite uninvited. The film opens on the screen and takes the whole screen and even unfolds outside of the screen, as if projected holographically. Before I know it is a large screen in midair, and after the title, which I could then read very clearly, I am drawn so by the images, because they are so real, as if in a dream, that I am part of it, as if the film becomes my dream.
The title had three main words, and two smaller ones to link it, such as Slug at at Something something Something. That is what I see first, that the main character is a slug, and I suppose it is about a race of slugs. This one is flying a space ship in the upper atmosphere of a to me unknown planet, but a big one, though earth like, not gaseous. And he dives down, that is the first scene, the air, clouds, space ship that reminds me of Star Wars, and then this one slug on top of it. Clearly the slug is intelligent enough to drive the ship. Science fiction movie, and I decide I want to see it.
After that scene, I see many other space ships, all the same shape, and there is some war or fight going on, between the camp of the slug and the others, who might belong to the planet, though the slug party is the good guys.
A while after I find myself in a house, which is part of the film, and I live in with an uncle, but am no better than a slave, and he has a young girl or woman as consort or wife, and I have an eye on her, but mostly I am in a different room. This house is also midair, and on long stalks, so I presume these connect the houses with the earth. And the house itself is made up of three spheres, that I can remember, and each is a section of the house. But the spheres are connected as if rooms, but they overlap in height, so one is the lowest, then the middle, and then the upper, which I have not been to. I am mostly in the nether one. Then I serve both people, this is in the middle sphere. One sphere seems to be one room, but that is not exactly so.
There is some discussion. At first I stay a distance away, though I was ordered to do something, yet I want to remain in the background, and not draw attention to me, especially because I want his wife. Both of them are a distance apart. The uncle is on the right, and the wife is on the left, somewhat higher. Then something about her wanting to have her hair combed. I'm not sure how it was, maybe she asked him, but he did not want to. So after a minute I step in and comb her hair. There is singing at the same time, maybe by her. Can't remember well.
At home. Because I don't remember well, or was not awake enough after the dream when I took notes, it seems that two locations were used at the same time: home and at sea.
At home. Still morning, before noon, calm, not many people out, because holiday and early. We are waiting for people, a group. At home, N is here. At sea, this is Digr.
At home. I see an elephant, this is in the half dark, so maybe another timing, and I see the elephant sitting in a corner against the wall of the house of parents. I had not expected to see an elephant, it is a strange sight, but I see him every time and it starts to become familiar. Different places and positions. I can't remember anymore, but always the elephant is on his own, but looks as if part of the house, maybe a member of family. Small for an elephant, maybe a third of the real size, but impressive enough. This when N is in the neighbourhood.
Scene with Digr is in Wales, we are planning an excursion. He is impatient. The wind blows a little and the landscape is flat, and you can smell and touch the sea in it. This is on a T-crossing, large one. Concrete road ends in a T, and both ends lead to the sea.
I have been planning the excursion, and in an earlier fragment I am on my own with a map, and on the map I point the different places where I want to go, some of which are in Belgium too, but most in Britain. White paper, black markings. The pointing out of locations brings me there, but this is always very briefly, and in mind only, but I feel the potential when I do it. But I don't want to experience this now, so I retreat quick enough and leave the map and join Digr, who is at the crossroads itself, and I come along the concrete road. I suppose earlier in the dream it was shown where I came from, but I can't remember.
At home, 11 o'clock, no one has come yet. We will go scout already. Elephant is in the garage, sleeping. Something with a girl, can't remember. At some point when I see the elephant walking, with his back to me, on two legs, yes, he is striped like a tiger, brown and yellow.
At sea, when I join Digr, he starts anyway, explaining something to me, while I know this better than him, but I let him make the mistakes. He starts drawing a chemical formula, and when he does, there is a white blackboard on a pole, on the side at the T-crossing. I am on his left, he explains this molecule, which is made up of H, C and O, but when he numbers the atoms, I know he is mistaking, black marker on the white board. Then he is not sure and puts other numbers to correct on the right upper corner of the atoms, and then beneath, counts H10, C10, O10, and this can't be right at all, but it certainly is closer to the truth than what he was saying earlier.
Later I am alone in a room, and the place where I sit reminds me of the desk which used to be Cavs's place, but she no longer works with us. I have a laptop or computer there, which cannot be the one from work, because that one is on the left, and the one I have now is in front of me. I am alone, and I suppose I am taking a break, I sit myself here to sneak out and rest.
I browse and am faced with the ad of a new film, which I would like to see, and I zoom in, or click on it or just acknowledge that I am okay with seeing this, even if the ad comes on the screen quite uninvited. The film opens on the screen and takes the whole screen and even unfolds outside of the screen, as if projected holographically. Before I know it is a large screen in midair, and after the title, which I could then read very clearly, I am drawn so by the images, because they are so real, as if in a dream, that I am part of it, as if the film becomes my dream.
The title had three main words, and two smaller ones to link it, such as Slug at at Something something Something. That is what I see first, that the main character is a slug, and I suppose it is about a race of slugs. This one is flying a space ship in the upper atmosphere of a to me unknown planet, but a big one, though earth like, not gaseous. And he dives down, that is the first scene, the air, clouds, space ship that reminds me of Star Wars, and then this one slug on top of it. Clearly the slug is intelligent enough to drive the ship. Science fiction movie, and I decide I want to see it.
After that scene, I see many other space ships, all the same shape, and there is some war or fight going on, between the camp of the slug and the others, who might belong to the planet, though the slug party is the good guys.
A while after I find myself in a house, which is part of the film, and I live in with an uncle, but am no better than a slave, and he has a young girl or woman as consort or wife, and I have an eye on her, but mostly I am in a different room. This house is also midair, and on long stalks, so I presume these connect the houses with the earth. And the house itself is made up of three spheres, that I can remember, and each is a section of the house. But the spheres are connected as if rooms, but they overlap in height, so one is the lowest, then the middle, and then the upper, which I have not been to. I am mostly in the nether one. Then I serve both people, this is in the middle sphere. One sphere seems to be one room, but that is not exactly so.
There is some discussion. At first I stay a distance away, though I was ordered to do something, yet I want to remain in the background, and not draw attention to me, especially because I want his wife. Both of them are a distance apart. The uncle is on the right, and the wife is on the left, somewhat higher. Then something about her wanting to have her hair combed. I'm not sure how it was, maybe she asked him, but he did not want to. So after a minute I step in and comb her hair. There is singing at the same time, maybe by her. Can't remember well.
Saturday, 21 September 2013
Two Storms
1. Flood
Pesl. Land (?).
Blond fury, lady, and Pese.
Apocalyptic dream type, apocalyptic atmosphere. Storm. There is a writer, or writing, but doomed to die. He comes especially for me. And he takes me and someone else with him.
We go outside. Dark. It is storming, raining, and some kind of flood. We are being disturbed (maybe this was a little before, inside).
Digr. Outside, water is channeled. On my own I go ahead, there is nothing left of the land, all is flooded, but I look and see how far I can go into the water while still touching land, and that is quite far. I am all alone out here and it is beautiful, but apocalyptic. The water is killing the land. These are ponds, so man made, to channel the water, but some of the water is different, and black. And they are patches in the landscape. Like a tongue, the shape I mean.
At the very end of where I can go there is the trunk of an old tree, very large, has been taken down, only the stump is left, but the roots look firm. This wood has been half into the water all this time, and I see that it starts to break down, becomes soft. I would suspect rot because of the water, and fear the tree will not last, even if it is only this stump. It will rot just like everything else.
Even the water itself, it is so far from civilization that it is lethal. That is the whole point.
Maybe later in the dream, and behind the water landscape and with Digr. There are tracks of rubber, as if roads, they serve as roads, most go to the right, but there is a small one to the left. A little gray purple, is what they look like. As if used a lot. I know how to use them, though this is alien to what we know. At this point all the tracks come together, but it is more like this that they leave from here. And most have the habit of taking the right one, while I opt for the left, but I am on my own. Possibly, because I go others will follow.
These tracks serve to transport humans quicker, one track runs a longer way than the others, this is a digital track. So-called.
The whole thing symbolizes decadence and the end of the world. Later I go back inside. And Mother is there and mocks me saying: "that man, or writer, has come from so far, especially for you". And I say yes, because I want to affirm it. And I even elaborate saying: "the spirit of the river said that we can expect another storm and it will keep raging until sand, or dirt, will fall from space." And I see what the latter things means. Whirlwinds of sand come down from the darkness of space in funnels to earth.
Then I can't read my notes because I wrote over them. River god is a girl (?), says that she will help us by ... holding back a long time. Until end of the year. That was the deadline.
End of the dream is that she sits down on me in the sofa, which is erotic, and I am unsure, don't know how to act, whether to act.
2. Champagne Table
Train. We arrive somewhere, I guide a girl and a man. At a table.
Tables are set in a row in the hallway, like this is a fair, all tables on the same side, and grey, big, industrial. We talk in English. The man in front of me certainly speaks Dutch, but I am not sure about the girl, which is why I talk English, so that we all understand each other. I am mainly talking to the girl, who is on my right, we are with our back to the hall itself, look at the wall. The man sits opposite of me, long hair, is into metal and maybe a heathen. He wears a pendant and when I look at it I think it resembles a Thor's Hammer, but it is more complex. I assume he is asatru, and he does not say much, but I don't say much to him either. The girl is young and needs much explaining. I am the one talking the whole time, almost. Both are unfamiliar to me, but we are assigned to each other. One table is to my right, but all the others are on the left, because the right is where we entered.
At some point I start saying something and because I just looked at his pendant he thinks I was going to say something about that, and he takes it shows it and starts to say something about it, but I was saying something else, so the moment passes. And I don't go back to it.
We are looking for a place to sleep, this will be in the hallway itself. All the others are better informed and are further down the hallway, maybe they know what is happening. I stay here. I know rather well what is happening. We got some stuff also, lots of which is champagne, and I drink from it, but the two others don't because they don't like it. But more bottles arrive, they come in cardboard boxes and other kinds of containers of which you don't think it is champagne, but when I check I'm sure. And I don't know where this comes from, it belongs to the table. The man on the table on our right sees this and smiles, because we are in an abundance of champagne, while usually it is the other way around. I ignore him.
There is also a glass bottle and this one has cacao, but it must be old, because it has been coloured yellow and is transparent. I don't trust it, but these two want it.
When it is time to sleep, I start to imagine things with the girl, thinking about the future, how we will be close together and talk and be so close that our lips will almost touch, and I can kiss her. But none of this is real, it is only in my mind what I imagine the future in my dream is like. I show her the other rooms.
Back in the hallway I show the girl the other rooms because it is time to look for a place to sleep, and we were assigned to that one table, but if you don't go all the way you don't know what you're missing, so I lead her. Most groups are by five. And at the end of the hall is a room to the left, and we enter but it appears to be some sort of bathroom, and there are only men in it. I realize I'm mistaken and shuffle back.
Then the scene shifts a bit, because I am alone now, but this is still the same building, which might now be a ship, and I am in the centre of it, not the side where the hallway was. But since I walked the length of the hallway I enter this common main room from the back. I go to the front. There are different floors, like steps, and when I come to the front, it is very posh and I see the entry, and I look around me, and somewhere on my right now I see my family, parents and aunt D and uncle B and maybe their son and family. But I don't go there immediately, though I will.
That is when I see D&S, arriving, and I go to them first, though it was my plan to go sit with the family. D&S sit at the first available table, and I follow, though I saw a girl, blond, she has papers that remind me of work, no they are the exact same papers, like List always carries around, but I don't go to her, since I am now with D&S and I sit down, eager to also see my family.
Then I see a young girl in red and white in a sofa. I recognize her from the train, and I go sit next to her. There is a lot of red in the interior. When I sit down next to her she walks away from me. Then I go back to the table of my brother.
3. Ray Seven
Something about the seven rays. According to the dream Ray 7 is dominant nowadays, since a couple of hundred years, and is the only one active which explains this and that, and will be the only one for thousands years to come, which also explains a lot. And I am not too unhappy, since it is the ray of magic.
Pesl. Land (?).
Blond fury, lady, and Pese.
Apocalyptic dream type, apocalyptic atmosphere. Storm. There is a writer, or writing, but doomed to die. He comes especially for me. And he takes me and someone else with him.
We go outside. Dark. It is storming, raining, and some kind of flood. We are being disturbed (maybe this was a little before, inside).
Digr. Outside, water is channeled. On my own I go ahead, there is nothing left of the land, all is flooded, but I look and see how far I can go into the water while still touching land, and that is quite far. I am all alone out here and it is beautiful, but apocalyptic. The water is killing the land. These are ponds, so man made, to channel the water, but some of the water is different, and black. And they are patches in the landscape. Like a tongue, the shape I mean.
At the very end of where I can go there is the trunk of an old tree, very large, has been taken down, only the stump is left, but the roots look firm. This wood has been half into the water all this time, and I see that it starts to break down, becomes soft. I would suspect rot because of the water, and fear the tree will not last, even if it is only this stump. It will rot just like everything else.
Even the water itself, it is so far from civilization that it is lethal. That is the whole point.
Maybe later in the dream, and behind the water landscape and with Digr. There are tracks of rubber, as if roads, they serve as roads, most go to the right, but there is a small one to the left. A little gray purple, is what they look like. As if used a lot. I know how to use them, though this is alien to what we know. At this point all the tracks come together, but it is more like this that they leave from here. And most have the habit of taking the right one, while I opt for the left, but I am on my own. Possibly, because I go others will follow.
These tracks serve to transport humans quicker, one track runs a longer way than the others, this is a digital track. So-called.
The whole thing symbolizes decadence and the end of the world. Later I go back inside. And Mother is there and mocks me saying: "that man, or writer, has come from so far, especially for you". And I say yes, because I want to affirm it. And I even elaborate saying: "the spirit of the river said that we can expect another storm and it will keep raging until sand, or dirt, will fall from space." And I see what the latter things means. Whirlwinds of sand come down from the darkness of space in funnels to earth.
Then I can't read my notes because I wrote over them. River god is a girl (?), says that she will help us by ... holding back a long time. Until end of the year. That was the deadline.
End of the dream is that she sits down on me in the sofa, which is erotic, and I am unsure, don't know how to act, whether to act.
2. Champagne Table
Train. We arrive somewhere, I guide a girl and a man. At a table.
Tables are set in a row in the hallway, like this is a fair, all tables on the same side, and grey, big, industrial. We talk in English. The man in front of me certainly speaks Dutch, but I am not sure about the girl, which is why I talk English, so that we all understand each other. I am mainly talking to the girl, who is on my right, we are with our back to the hall itself, look at the wall. The man sits opposite of me, long hair, is into metal and maybe a heathen. He wears a pendant and when I look at it I think it resembles a Thor's Hammer, but it is more complex. I assume he is asatru, and he does not say much, but I don't say much to him either. The girl is young and needs much explaining. I am the one talking the whole time, almost. Both are unfamiliar to me, but we are assigned to each other. One table is to my right, but all the others are on the left, because the right is where we entered.
At some point I start saying something and because I just looked at his pendant he thinks I was going to say something about that, and he takes it shows it and starts to say something about it, but I was saying something else, so the moment passes. And I don't go back to it.
We are looking for a place to sleep, this will be in the hallway itself. All the others are better informed and are further down the hallway, maybe they know what is happening. I stay here. I know rather well what is happening. We got some stuff also, lots of which is champagne, and I drink from it, but the two others don't because they don't like it. But more bottles arrive, they come in cardboard boxes and other kinds of containers of which you don't think it is champagne, but when I check I'm sure. And I don't know where this comes from, it belongs to the table. The man on the table on our right sees this and smiles, because we are in an abundance of champagne, while usually it is the other way around. I ignore him.
There is also a glass bottle and this one has cacao, but it must be old, because it has been coloured yellow and is transparent. I don't trust it, but these two want it.
When it is time to sleep, I start to imagine things with the girl, thinking about the future, how we will be close together and talk and be so close that our lips will almost touch, and I can kiss her. But none of this is real, it is only in my mind what I imagine the future in my dream is like. I show her the other rooms.
Back in the hallway I show the girl the other rooms because it is time to look for a place to sleep, and we were assigned to that one table, but if you don't go all the way you don't know what you're missing, so I lead her. Most groups are by five. And at the end of the hall is a room to the left, and we enter but it appears to be some sort of bathroom, and there are only men in it. I realize I'm mistaken and shuffle back.
Then the scene shifts a bit, because I am alone now, but this is still the same building, which might now be a ship, and I am in the centre of it, not the side where the hallway was. But since I walked the length of the hallway I enter this common main room from the back. I go to the front. There are different floors, like steps, and when I come to the front, it is very posh and I see the entry, and I look around me, and somewhere on my right now I see my family, parents and aunt D and uncle B and maybe their son and family. But I don't go there immediately, though I will.
That is when I see D&S, arriving, and I go to them first, though it was my plan to go sit with the family. D&S sit at the first available table, and I follow, though I saw a girl, blond, she has papers that remind me of work, no they are the exact same papers, like List always carries around, but I don't go to her, since I am now with D&S and I sit down, eager to also see my family.
Then I see a young girl in red and white in a sofa. I recognize her from the train, and I go sit next to her. There is a lot of red in the interior. When I sit down next to her she walks away from me. Then I go back to the table of my brother.
3. Ray Seven
Something about the seven rays. According to the dream Ray 7 is dominant nowadays, since a couple of hundred years, and is the only one active which explains this and that, and will be the only one for thousands years to come, which also explains a lot. And I am not too unhappy, since it is the ray of magic.
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