1. Two Figs
I'm in a hallway, light, courtyard outside, pass a girl, handful of other people, very laid back atmosphere. I come back from somewhere with two figs, they are more juicy than I remember, though they are confit. Girl in the hallway too when I eat one of those figs. Maybe a school, school building.
2. Mugwort Plum
(Lucid dream)
I'm in the street of my parents, I am in front of the house of Ri, Wile. I am coming home from somewhere, it is late afternoon, maybe end of a school day. Light. Calm and peaceful. Certain quality. Lucid.
The door is open and I don't think Ri is inside, so I go in. When I pass the threshold I hold because I see two small children in the sofa watching telly or something. The one most to me is a girl with blond hair, ponytail. I suppose these are her grandchildren. I don't want them to see me, so I back out again.
After a while I see Ri inside. She must have come in from the back yard. I don't know how it happens, but then I am inside of the house, the living room, with her alone, and I immediately notice the smudges hanging around. She obviously does not know what to do with them, though I think she has a prize in her house. There are at least two. One is in a prominent position of the living room, and is different of shape. This is the main one. It gives off a lot of dust, but the whole smudge, which is spherical and looks like the blossom of a thistle, is so tight and tender that the dust is the material of the smudge itself. It is very good quality, I see it from afar. I would be proud to have such a thing.
These things are not hers, she has inherited them, maybe from an aunt.
She asks me what they are and I try to explain. It is hard to explain, because I look for words, no, I look for the plant itself. I tell her it is mugwort, which it is, and am sure she would recognize the plant if she saw it, so I am looking for it, in the house at first, but don't find it, then I look through the window and look to the garden. Through the window I see mugwort plants, first one, then more. I point and she recognizes what it is. She asks what it is for, or I try to explain, and I tell her it is like incense, but I don't say more.
Quite a time later I tell her all, that this is for trance inducing and attracting spirits. I was not sure she wanted to hear it, but out it goes, and she is happy I told her.
Later I am back in the living room and reading a children's book and this is in a sofa, by the window, light, and warm colours, and excited atmosphere, and the book hovers, because it has a balloon strung on it, the book is like that, it is a special kind of book and I like to read it.
Later my brothers come home from school. Can't remember the rest, maybe I show the book.
3. Nail under Nail
I am tearing a side nail from underneath my nail, from the ring finger of my left hand I think. When I am half way I see my mother to my left do the same, which is weird, but I continue anyway. Light. I am careful not to tear too much away, but after being patient, it works.
4. Going to Watch Rurouni Kenshin Film
Last part of the last dream, I can't remember the context, but at some point I enter the cinema. I had a 3D glasses with me already, but possibly for a different reason. In the first room where other people too, but I had no real connection with them. Then I decide to go to the film, the colour and light is better in that room, the till, I see they play Rurouni Kenshin, a real film, but anime, this was on my list to view, so I go, it has been playing for fifteen minutes already, but I don't mind. I go on my own. When I check in, the man at the counter says there is another playing not 3D behind me. I see it. But I stick with my decision. Someone else also joins. Not someone I know, maybe a girl. No connection.
Dream interpretation
This is a dream journal. The intention behind it is to also give interpretations on the recorded dreams. In my experience, much of the dream content is prophetic and can be linked to events following the night of dreaming.
Throughout the year 2013 I will keep to the discipline of recording my dreams every morning and interpreting them every evening. That way, people may start to get a feel of how dream symbolism works.
Throughout the year 2013 I will keep to the discipline of recording my dreams every morning and interpreting them every evening. That way, people may start to get a feel of how dream symbolism works.
Thursday, 13 February 2014
Monday, 10 February 2014
Steep Road Down
1. Keep Control of Vehicle
Last part of a dream, I'm in a car, driving myself, doing something else at the same time, so that I don't really pay attention. Maybe looking at my tablet or mobile phone or something, something that is important to me. Even when I see that another car overtakes mine on the left and I should follow it, I still don't look up and mind the road. Though, then I see I should, because I have to keep control of the vehicle. The road is very dangerous, now there are suddenly many bends and the road goes down steep. It goes to the left at one time and then to the right at another, and it seems fragmented, though the main route is down to the left and I follow and I try to control the vehicle and somehow manage better than I had expected, especially because I am still not paying full attention. Then I have to lay down whatever it is that takes my attention in the car and mind the road, because it takes some control to keep to the road, as if it slides, but I never bump or crash.
Then I am down, this is in a tunnel and more cars are parked here, they all got here, it is like a traffic jam or a queue, we all get out of the cars. I go up to the front, there is a man there who is a bit out of control, he has a gun and points it, don't remember where, maybe to a lady who is next to him. I know her in the dream, not him, he is in a panic or shock situation. The girl talks to him, I know meanwhile that he will not shoot. I know that I might be a target, the target in fact, but fear no damage. I am confident. I come closer. This takes a long time, but he eventually puts the gun away himself. There was a light green colour in the tunnel or basement rooms down there, low ceiling, but light.
2. Hafr
Fragment of a dream in which I saw and went up to Hafr. Maybe she was also someone else.
Last part of a dream, I'm in a car, driving myself, doing something else at the same time, so that I don't really pay attention. Maybe looking at my tablet or mobile phone or something, something that is important to me. Even when I see that another car overtakes mine on the left and I should follow it, I still don't look up and mind the road. Though, then I see I should, because I have to keep control of the vehicle. The road is very dangerous, now there are suddenly many bends and the road goes down steep. It goes to the left at one time and then to the right at another, and it seems fragmented, though the main route is down to the left and I follow and I try to control the vehicle and somehow manage better than I had expected, especially because I am still not paying full attention. Then I have to lay down whatever it is that takes my attention in the car and mind the road, because it takes some control to keep to the road, as if it slides, but I never bump or crash.
Then I am down, this is in a tunnel and more cars are parked here, they all got here, it is like a traffic jam or a queue, we all get out of the cars. I go up to the front, there is a man there who is a bit out of control, he has a gun and points it, don't remember where, maybe to a lady who is next to him. I know her in the dream, not him, he is in a panic or shock situation. The girl talks to him, I know meanwhile that he will not shoot. I know that I might be a target, the target in fact, but fear no damage. I am confident. I come closer. This takes a long time, but he eventually puts the gun away himself. There was a light green colour in the tunnel or basement rooms down there, low ceiling, but light.
2. Hafr
Fragment of a dream in which I saw and went up to Hafr. Maybe she was also someone else.
Monday, 3 February 2014
Watchin Two Ships on the Water
1. Snakes
Maybe a dream about snakes, but I'm not sure.
2. Square Lake
At home, light, toward dinner time, kitchen, brothers are there. We are preparing food. All is on the table, and some things in the oven, which is open. We're busy, the kitchen is full. S is there too, possibly I. On the table is Vol-au-vent, and potatoes are in the oven.
Eventually our parents arrive, they are late. I fear mom will be mad about us using the kitchen, but I stand my ground.
Scene changes. War time, we are outside. The enemy is there. Behind us is a house, this is ours, we are now on this side of the house which is a different world. The other side of the house is the past, not now is a good idea to go there. We meet the enemy, they are three people, among which a young girl with long curly black hair and a guy my age or a bit older. They are the main ones. I meet them face on, they have more fear than me. When the confrontation is over, the girl lies on the floor, on the street. I know I have only one choice and that is to rape her. She expects it. I go toward her and she wears a jeans. I feel between her legs and I feel her pussy which is very wet. Though I have doubts about the wisdom of this, I know I'm left with no choice but entering. In fact, this makes something right, as if we are a couple now.
Then all of us go in the house, which is open as if there are no walls and you can see the other side, there are many people there. Stalls, like a market, selling fabrics and trinkets. Part of it is in the house. Most of it outside. They, the enemy persons, want to go outside, I have no intention to follow and stay in the mid-zone. I realize that the other side is the past.
Scene changes, we are outside, on the right side, we sit as if to watch a film, on a dike, there is a square lake, very big, lots of water. Four dikes around it. We all sit on one side. The girl is with me. We are about to watch a film. I wanted this. This was on my schedule, but no all the others are here with me and they don't have a clue about what is happening or will happen, because they have not seen the other two earlier parts. I briefly try to explain when the film starts. The film is what happens on the water. I fear it will make no sense to the others.
Close to where we sit are two boats, wooden both, one longer than the other, but both very big, and simple. And two people are there, in the water. They try to get in the boat, in one of the boats. One guy tries to get some long planks of wood in the ship, but I don't want that to happen. It never works.
At some point the big ship overturns and they're in the water. Then it takes the shape of a train. And then a train comes from behind us and we have to take care it does not overrun us, because we are almost sitting in that corner. They train passes. Another comes. We go down the slope. Now it is a meadow of grass, not water, and we run uphill. Another train tries to hit us. Then lots of people are on the green and run uphill. There is a giant, I see him aim his fist to hit, but also see he cannot see us or something so we don't have anything to fear. I run this way and that, but the orange giant hits the ground and I never stood in that place. Then again. Now it becomes harder to run uphill and I see another giant. This is about where the dream ends.
Maybe a dream about snakes, but I'm not sure.
2. Square Lake
At home, light, toward dinner time, kitchen, brothers are there. We are preparing food. All is on the table, and some things in the oven, which is open. We're busy, the kitchen is full. S is there too, possibly I. On the table is Vol-au-vent, and potatoes are in the oven.
Eventually our parents arrive, they are late. I fear mom will be mad about us using the kitchen, but I stand my ground.
Scene changes. War time, we are outside. The enemy is there. Behind us is a house, this is ours, we are now on this side of the house which is a different world. The other side of the house is the past, not now is a good idea to go there. We meet the enemy, they are three people, among which a young girl with long curly black hair and a guy my age or a bit older. They are the main ones. I meet them face on, they have more fear than me. When the confrontation is over, the girl lies on the floor, on the street. I know I have only one choice and that is to rape her. She expects it. I go toward her and she wears a jeans. I feel between her legs and I feel her pussy which is very wet. Though I have doubts about the wisdom of this, I know I'm left with no choice but entering. In fact, this makes something right, as if we are a couple now.
Then all of us go in the house, which is open as if there are no walls and you can see the other side, there are many people there. Stalls, like a market, selling fabrics and trinkets. Part of it is in the house. Most of it outside. They, the enemy persons, want to go outside, I have no intention to follow and stay in the mid-zone. I realize that the other side is the past.
Scene changes, we are outside, on the right side, we sit as if to watch a film, on a dike, there is a square lake, very big, lots of water. Four dikes around it. We all sit on one side. The girl is with me. We are about to watch a film. I wanted this. This was on my schedule, but no all the others are here with me and they don't have a clue about what is happening or will happen, because they have not seen the other two earlier parts. I briefly try to explain when the film starts. The film is what happens on the water. I fear it will make no sense to the others.
Close to where we sit are two boats, wooden both, one longer than the other, but both very big, and simple. And two people are there, in the water. They try to get in the boat, in one of the boats. One guy tries to get some long planks of wood in the ship, but I don't want that to happen. It never works.
At some point the big ship overturns and they're in the water. Then it takes the shape of a train. And then a train comes from behind us and we have to take care it does not overrun us, because we are almost sitting in that corner. They train passes. Another comes. We go down the slope. Now it is a meadow of grass, not water, and we run uphill. Another train tries to hit us. Then lots of people are on the green and run uphill. There is a giant, I see him aim his fist to hit, but also see he cannot see us or something so we don't have anything to fear. I run this way and that, but the orange giant hits the ground and I never stood in that place. Then again. Now it becomes harder to run uphill and I see another giant. This is about where the dream ends.
Saturday, 1 February 2014
Short Haircut
1. Inro
End of dream, light, inside, everyone leaving, me included. Inro is there, she has short hair and it is dark, like it used to be, but now it seems to be a new colour. She's with friends, also leaving. I like how she looks. Her hair at some point is really short, trimmed. I linger a bit in saying goodbye, because I had not seen her while I was there. But I have to go and she too, our ways part.
+ Just before the above happened, I showed Inro my golden ring, in response to her showing hers to me. And this was at a table, I splayed my left hand and pointed out I wear the ring, which is the one with my initial, on my middle finger, meaning that I am not married, as I fancy her and want to be available for her. Yet I still feared I thought she might think I had a partner. That would be one of the gods or goddesses then. And it meant something occult, but can't precisely remember. This was a fairly lucid moment.
End of dream, light, inside, everyone leaving, me included. Inro is there, she has short hair and it is dark, like it used to be, but now it seems to be a new colour. She's with friends, also leaving. I like how she looks. Her hair at some point is really short, trimmed. I linger a bit in saying goodbye, because I had not seen her while I was there. But I have to go and she too, our ways part.
+ Just before the above happened, I showed Inro my golden ring, in response to her showing hers to me. And this was at a table, I splayed my left hand and pointed out I wear the ring, which is the one with my initial, on my middle finger, meaning that I am not married, as I fancy her and want to be available for her. Yet I still feared I thought she might think I had a partner. That would be one of the gods or goddesses then. And it meant something occult, but can't precisely remember. This was a fairly lucid moment.
Friday, 31 January 2014
Catch a Train and Walk on Water
1. Cycling Uphill
End of a dream in which I am on my bicycle driving uphill trying to beat everyone. I am alone, going up and onward, but it is very hard and I can't almost continue. Others are behind me, I want to be the best. Light, day. Steep, almost at the top. Sand. There is a path, but it is rock and sand. When I become more awake, I add the superficial thought and cheat a bit, going over grass, pushing my cycle.
2. Walking on Water
Composite dream.
Toward the end we catch the train, we are on it. Toha is there, and D. Possible Beha as well. At some point we arrive at a river. The train stops there and someone gets off, this is Beha, because he needs to go home to take care of some things. I fear if I get off the train I will never make it again, but he seems confident. Then someone else, maybe my brother D, says we should do something for the birthdays of H&B, and he gets off as well, I try to tell him not to, but he seems confident too. Toha is still with me, but agrees with the others. I stick with the train, which stopped in front of the water, it can't cross. This is a stop, we are headed somewhere else.
Next part is that we need to cross the river or something, but we can't, can we, because we can't swim, across is a wall on the right, you can't crawl over, I don't really now where we need to get. Some girl is already in the water and waves and tells me to come too, she is confident. After long considerations I understand what I have to do, there is a boat. But there is something on the quay that I have with me, like the train, that I have to use so I can stand on the water. I try it, and I have to balance myself, like Naruto trying to learn how to walk on water, but then I make it and am very happy. Then I have to be careful, because the water is acid or something, but I get a knack of the magic that I use and now shields from the ship or train up on the bank are thrown into the water, I forgot how I make this happen. Round shields, like of vikings. We can use these to walk on, to stand on. Others follow me, are with me.
I think I remember. I have the sugared mandarins with me, and I eat these, I eat two, bite in it.
End of a dream in which I am on my bicycle driving uphill trying to beat everyone. I am alone, going up and onward, but it is very hard and I can't almost continue. Others are behind me, I want to be the best. Light, day. Steep, almost at the top. Sand. There is a path, but it is rock and sand. When I become more awake, I add the superficial thought and cheat a bit, going over grass, pushing my cycle.
2. Walking on Water
Composite dream.
Toward the end we catch the train, we are on it. Toha is there, and D. Possible Beha as well. At some point we arrive at a river. The train stops there and someone gets off, this is Beha, because he needs to go home to take care of some things. I fear if I get off the train I will never make it again, but he seems confident. Then someone else, maybe my brother D, says we should do something for the birthdays of H&B, and he gets off as well, I try to tell him not to, but he seems confident too. Toha is still with me, but agrees with the others. I stick with the train, which stopped in front of the water, it can't cross. This is a stop, we are headed somewhere else.
Next part is that we need to cross the river or something, but we can't, can we, because we can't swim, across is a wall on the right, you can't crawl over, I don't really now where we need to get. Some girl is already in the water and waves and tells me to come too, she is confident. After long considerations I understand what I have to do, there is a boat. But there is something on the quay that I have with me, like the train, that I have to use so I can stand on the water. I try it, and I have to balance myself, like Naruto trying to learn how to walk on water, but then I make it and am very happy. Then I have to be careful, because the water is acid or something, but I get a knack of the magic that I use and now shields from the ship or train up on the bank are thrown into the water, I forgot how I make this happen. Round shields, like of vikings. We can use these to walk on, to stand on. Others follow me, are with me.
I think I remember. I have the sugared mandarins with me, and I eat these, I eat two, bite in it.
Tuesday, 28 January 2014
Fresh Guacamole
1. Guacamole
There was a fragment in which I had D&S visiting. The place I don't know but I was there for a few days and I had made guacamole. It was in the corner. Rather a lot, a whole pile of it. When I showed D when we had time after doing something else, he started eating from it and I was surprised it was still green. Now I remember I had put out the crisps as well, but forgotten about them at first, so D found another stock, which was much more and natural. I had made the guacamole maybe two days before. And I start explaining to him how I made it, the emulation process and so on, with olive oil.
There was a fragment in which I had D&S visiting. The place I don't know but I was there for a few days and I had made guacamole. It was in the corner. Rather a lot, a whole pile of it. When I showed D when we had time after doing something else, he started eating from it and I was surprised it was still green. Now I remember I had put out the crisps as well, but forgotten about them at first, so D found another stock, which was much more and natural. I had made the guacamole maybe two days before. And I start explaining to him how I made it, the emulation process and so on, with olive oil.
Monday, 27 January 2014
Path on the Water
1. Baby Girl
Kitchen of parents, light. D&S on the side of the furnace. Me on the other side. Dad and N walk in and out. We talk about the baby, because S is pregnant. S talks about the baby as a she, but we know it will be a girl.
Later our mom comes in and stands next to them and at some point she catches them saying 'she' as referring to the baby girl, and at some point she realize it will be a daughter and she gets excited, exclaims her sudden insight, though all of us were already aware of it in a natural way.
There was also a dream about the name Charlotte, but I don't remember if this was the same dream.
2. Knuppelpad
Outside, unfamiliar place, light, day, I go somewhere, I have an appointment of some kind, obligatory for me, maybe RVA or VDAB kind of thing. I go alone. I know the way. It is on the border of civilization and some waste land or no man's land. I have slight fears but don't let it get to me. I go in the building and do what must be done, but in the dream I can't remember being in the building, yet the moment of leaving is shown in the dream. Clear day still, other way out, though this is the official entrance, it goes slightly up and is first broad and at the end narrow, so that a triangular shape is formed, at the end it becomes really narrow and difficult, and there is something else in the way too. Two people, a man and his son, enter via this place and have no problem. There is some metal construction in my way and I have to climb over. I know nonetheless that an easier way out exists, still different than how I got here, but I don't trust myself with it, because I fear the unknown. Finally I leave that place, turn left and am on the road, this is the long way round. Not long after I see to my left a woman with curly hair, bushy, that goes down a certain path and I admit to myself that that route is much shorter and I too should take it, so I go that way, I still have a chance to go there. I wait because the woman is still coming. There is water, like a shallow brook, clear, and the path is on it, gravel and stones and wood in other places (knuppelpad). I see how she does it, don't want to be in front of her, or together with her, so I wait until she has passed and then I go down between the shrub and descend onto the path in the water and follow it, relieved of taking this route after all.
Kitchen of parents, light. D&S on the side of the furnace. Me on the other side. Dad and N walk in and out. We talk about the baby, because S is pregnant. S talks about the baby as a she, but we know it will be a girl.
Later our mom comes in and stands next to them and at some point she catches them saying 'she' as referring to the baby girl, and at some point she realize it will be a daughter and she gets excited, exclaims her sudden insight, though all of us were already aware of it in a natural way.
There was also a dream about the name Charlotte, but I don't remember if this was the same dream.
2. Knuppelpad
Outside, unfamiliar place, light, day, I go somewhere, I have an appointment of some kind, obligatory for me, maybe RVA or VDAB kind of thing. I go alone. I know the way. It is on the border of civilization and some waste land or no man's land. I have slight fears but don't let it get to me. I go in the building and do what must be done, but in the dream I can't remember being in the building, yet the moment of leaving is shown in the dream. Clear day still, other way out, though this is the official entrance, it goes slightly up and is first broad and at the end narrow, so that a triangular shape is formed, at the end it becomes really narrow and difficult, and there is something else in the way too. Two people, a man and his son, enter via this place and have no problem. There is some metal construction in my way and I have to climb over. I know nonetheless that an easier way out exists, still different than how I got here, but I don't trust myself with it, because I fear the unknown. Finally I leave that place, turn left and am on the road, this is the long way round. Not long after I see to my left a woman with curly hair, bushy, that goes down a certain path and I admit to myself that that route is much shorter and I too should take it, so I go that way, I still have a chance to go there. I wait because the woman is still coming. There is water, like a shallow brook, clear, and the path is on it, gravel and stones and wood in other places (knuppelpad). I see how she does it, don't want to be in front of her, or together with her, so I wait until she has passed and then I go down between the shrub and descend onto the path in the water and follow it, relieved of taking this route after all.
Subscribe to:
Comments (Atom)