1. The Promised Kiss
Again a dream about fighting and running away.
Night. We are a limited group of people and we separate ourselves from the rest to protect ourselves.
It seems I can't remember the beginning of the dream, but when it is night, we go to sleep, huddled together, because there is no room for anything else. It is dark and we are in the last room of a corridor, small and narrow, the room is small too, with a low table in the middle. We sit on the right.
Inro is there. She is okay with me sleeping next to her, we both know that is the only way to survive, and it feels like this is the rule. She is on my right. We half sit half lie down. So close. And I also close my eyes to sleep, but I feel her face is very close to me. I don't think I can sleep like this. Being so close makes me a little nervous, even if it is everything I want.
So after these feelings of doubt I start to think I should look for her lips and kiss. There is no harm in it, she is so close that if I move in the wrong direction a little I might just hit upon her lips by incident. And I think: I want this even if she is married. And I slowly turn my face to her and she is turned to me, and our eyes are still half closed, but I see her mouth, and our lips touch and we kiss, and she kisses me back and there is a sort of relief when we do this as if a long promise has been made true.
After that tender moment she takes more of the control and we also make love. Even if in the dark I can barely see her. There is not the usual arousement of sexual activity, but it is satisfying.
In the morning I am already at the breakfast table, which is also a low table, but at the other end of the corridor. Now it is light. Other people are about who are waking up. When I see Inro getting up when she is awake, I see her smile in remembrance of the night before, and it makes me completely happy.
Then follows something cryptic with numbers and coat of arms, that has to do with the fighting. Three shields, then two then one, in that order to be defeated, and the colours are green, blue and white respectively, I forgot the designs, though the green ones might have had castles painted on them. Or a row of first two shields, then another two and then one.
Time to escape. I'm gone as one of the first people. List is here too, she is happy, reflecting the mood between me and Inro. List was at the breakfast table. Inro comes a long time after.
Somewhere in the morning we had some kind of emergency for saving our dear ones after the fight and we thought operating would be a good idea, but it is a secret technique and no one knows how to do it. I wanted to have it done on my heart too. It is an operation directly on the heart. When I am dreaming this I feel the beat of my physical heart in my chest.
In the morning someone who knows more of this happens to be there and explains it is not a good idea, because the arteries are directly involved. The instrument that is implanted will become a part of your body, but it will mean a vulnerability too. I can see a picture of what he means. Two electric wires are wound around two arteries connected with the heart, and another something is attached on these. Can you trust technology? For some it might just be the only solution. But the man claims it is a dangerous operation. Something something, I conclude I will wait having the operation after the marriage.
Also this fragment. When I was at the breakfast table and List was there, she gave me pancakes to eat. They were hard and sweet, like honey biscuits of a sort.
2. Zombie Prison
Eating soup or making it. Roaming about aimlessly, then fleeing trying to escape and cornered in a hall, me and many others, who can't go anywhere else. This was all a trap. Light. Where we come from is from the roof of a building, we are hunted down from there.
We are trapped in this hall, which is one big space and people are already here but they side with the enemy, though not necessarily from own will, but they are like zombies and have no free will anymore. First there are only a few, then more and more. All enter through the same set of doors.
At first when I arrived here I thought I was safe because I was almost alone. Now it is crowded and there are more zombies then normal people, and a few real enemies who stand back and watch. I have no trouble evading the zombies, knowing they are dangerous. I see what they do to other people. One touch and you incinerate. You're simply dead. They have to touch with both hands, but even one hand is dangerous, and there is no escaping, so I keep avoiding contact.
I hide. But soon enough I realize I can't go anywhere and have to do something to get away from here. They only solution is to break through. So I come out of hiding and regardless of the zombie like people I go to the doors. I suppose the supervisors see me do it, but they don't act. I suppose they think I'll not make it. I meet one of those zombies on my way out, still in the hall. But by that time I've seen through the secrets. That is, if you touch first, then you win. This is of course a very brave thing to try, because you know that if you're touched you will die.
I am thoroughly surrounded, by all sides, so there's nothing else to do than to try, and I fight back and take on the one in front of me. And I find out that I don't die when I take the initiative. I think I touched with the left hand first and then the right hand too. Even now, none of the supervisors reacts, but I don't look back or look at them, because I don't want them to see me.
So, now I escape the building, but I'm not out yet, because the courtyard is part of their terrain also. So when I am outside I see on my left a police agent. He is talking to someone who works here, either a gardener, or maybe someone who works for the city. They wear orange. The officer has a helmet like they do. Mostly white. They are not exactly on the terrain of the enemy, but I suppose they have to watch. I try not to look at them and go on, it is only a short distance to the outside. I run and jump over the fence and hope the police officer did not see, but they don't react, and I don't look back, but run.
When I leave all this behind, I get lost in the city, though there is only one or two big streets that I run through, no houses anymore. Woods. And I am a bit disoriented, thinking that I know from where I came in the first place. I walk to the right eventually. Unfamiliar streets in this city. Long lanes, some for cars, some only pedestrians, in the woods. At some point houses again, maybe I turned back in the direction of the hall, but further away.
I walk along a narrow path, and then over the roof tops. I think at this stage there are others who escaped, running here. In something something (can't read) we are safe.
We see then enemy, but we can kill them as snipers.
In the meanwhile we try and help other victims. And from the top of roofs we see the prison where we escaped from, from above.
Then something about rescuing a little girl, who is the sister of someone among us. Don't remember the details.
I help. The others are not very careful. Strong people face each other. This is down, in our safe area already, which looks a bit like the small corridor with the breakfast table of the former dream. There is a court, open air space, and a few men are standing there, with naked upper body, and you can see their muscles of which they are proud. They will fight for us. It means the enemy got here too, and we have to be careful not to be seen. This place can be a safe place. It is for me.
There is a point in this passage where I am Arya from Game of Thrones. And there is one particular person that helps me, possibly a man. I think it is time for bed now and I know the other person is sleeping already. I go to the bedroom, which is a common room. Behind that is a bathroom, the door is always open and you pass that door when you go to the bedroom. There are a few different beds, all just on the floor. I see the person lying in his bed and I lie down with him as if this is the most natural thing to do, maybe it is. This way I feel safe and protected.
Then he is up for some time while I lie there and I wake up, something happens. There is a sniper. I kill him. Can't remember the details.
Later I go to bed again, and this time it is Fras who comes lie beside me. But of course it is the same person. Only now I have to protect Fras, things have turned again. But at some point I say that it is time to leave. Actually I am not feeling very safe when Fras and I lie there and I think this is a good moment to leave. If not and we stay, we will die anyway or get caught.
There was more tension in the dream in the last scenes in that house, but I can't remember the images. Possibly a discussion too. Maybe I did go in the bathroom too at some point.
I suppose it was in this dream that at some point someone had made pasta for me, this was put on the right side of a big wooden table. Many people, I just arrive, big room, other food on the centre of the table for other people, that seemed to know me, dark. This person, a guy, had made cream pasta and spinach, which in itself is nice, but he cooked the spinach and put the pasta with the sauce in that pan without draining the spinach, so the cooking water was still in it, the cream started to clutter and the sauce was a little brown. On top I thought that I finally knew the secret of cooking spinach which means throwing away the cooking water. So this was wrong altogether. It could not be made right anymore.
3. Pana Places an Order
In the shop. Maybe Christmas time or some other busy time. When I get there I am on the right till and a customer comes and says she wants to pay the deposit. I make ready and then want to ask the five euros but see on her paper that no deposit was asked. The customer is Pana, who is very beautiful in the dream. She has a lot of papers with her and only the top two are her order, but none ask a deposit. She wants to pay it anyway.
She starts to converse with me. That is, she has pictures of her daughters on the other papers, maybe a dozen papers and on one sheet there are maybe thirty small pictures. All in colour. She starts to explain what they are and some other things, I only listen with half an ear.
In the meanwhile Brva shows up. Pana has made the order with her, in the basement, and now I think that Brva might find it strange if she sees that I'm charging Pana 5 euros. But Pana really insists. Then Liha is also here, who backs up Brva, but neither of them say a word.
Pana keeps on going about her private life, she has one daughter. I don't look because I'm afraid to intrude her private life.
In the end she writes on the order that she will pay 5 euro. Brva and Liha see this. I think they are thinking I am not doing a good job in customer service.
This is about the moment when Pana comes behind the till and says she has to write something down. And I let her, but she supports herself on me, and more or less sits on me. I am sitting down at that moment. And she almost sits on my lap, which is rather challenging for me to keep my bearing. First a little, then more and more contact is made, I just let her do. Eventually she sits on my lap, and chooses my right leg to support her self on. I see her back only of course, but think that I want to stroke her. I restrain from doing that. A bit later her butt is naked. I don't know how that happened but I automatically start to touch that, until I realize what I'm doing and then it becomes a little awkward, but I keep doing it. She gives no reaction at all.
Later in the dream, Pana is still there and says she wants to order something else. I think she says this at the till, and I look it up on the computer, though I don't have a clue what she is talking about, so I don't find it. Then we go to another corner, where it is dark, there is a counter too, and a colleague working. Two tills. In the very corner I tell her I'll make another attempt to look up what she wants, it is some kind of puzzle, and education at the same time, for the children, for her daughter perhaps. I got a list now. But what she is looking for in particular I don't find. I do find similar things. I want to show her but have to repeat the search on another computer so she can watch. This time I find still other puzzles, again similar of what she said, but the exact one. I want to go back to the first list to show her more possibilities, but I can't find it anymore. At this point in the corner, Pana has two small kids with her.
In the meanwhile it has gotten really busy at the till and my colleague is doing all the work on one till. I am supposed to do the second till, which would also be the right one in this case, but I am helping Pana. When I am done, she will queue up too. She does that of her own accord, because I would just let her come first. Two people are already waiting at my till, but a long queue of people is at the other. Maybe Kivo who works there, but rather it is someone I don't know at all.
I feel bad that I can't help my colleague. Pana squirmes between the two people at my till. The first customer asks his question then. He takes out a receipt, quite a long one and asks whether I can make an invoice of this. I don't really want to do it because it will take so much time that the queue will be even more delayed. But I take it anyway and I see there are all kinds of stamps on it. It looks quite formal. I want Frre to do it and tell the man I have to go upstairs. In the meanwhile I look about the shop, from behind the counter, to see if there are any other colleagues around who can stand in, but there are not. I'm helpless. Now I can't even help Pana.
Now I run up the stairs, the the lift, come out at the topmost floor, there is nobody there and the lights are out. I am at the wrong floor, I go down again. The shop is bigger than I remember, many more floors and rooms and I am a bit lost. Some spaces are small and narrow. I get scared already for not making it in time. Nowhere, there are colleagues to spot.
At some point, in one of those rooms of the shop which are not public, more light, there is a girl, she explains where everyone is and that no one can help me because they are all interim. I ask her whether she has worked the till before and she says yes so I tell her to go down and help. So Digr can't blame me for not running the shop well. I am desperate anyway now. I can't find anyone.
On my way down again I find another two interim employees and tell them to help at the till as well. I can see through the windows toward the street at some point, it is light, day.
Can't remember how the dream ends exactly. But I was not happy about the fact that no one was here but interim students. I did call all of those to help.